Just a few days ago, Ruby Rose called out Warner Bros for negligence on the Batwoman set. She went into quite a lot of detail, saying she witnessed stuntpeople be badly injured and she herself was forced back to work after a injury. She called various people out by name, I won’t repeat it all, but it painted a pretty horrifying picture. Warner Bros responded in exactly the same way I expected-
And then today a woman was accidentally killed on a movie set. A child is now without their mother, a promising career has been cut short, another person is injured and multiple people are traumatized. So, you know, I think she may have had a point.
I have now watched all of Squid Game and it’s 100% deserving of the hype. VERY good and VERY horrifying. Oh and aesthetically stunning as well, of course.
This show is incredibly bleak but it’s bleak about capitalism and systemic violence, not about humankind in general, I think. During the very last game, the one between Gi-hun and the player whose name I will not spoil, I wasn’t sure which side would be the victor and was pleasingly surprised that Gi-hun’s faith in human nature won out. And throughout the Squid Games themselves there are instances where the players behave selflessly and heroically. I’m still not over Ji-yeong’s death, she could probably have lived but instead she chose to sacrifice herself for Sae-byeok, who she’d known for mere days. I’ve seen people say that Sae-byeok’s later death rendered her sacrifice meaningless, but I personally think it was probably the least meaningless thing in the whole show.
Russell T Davies ridiculed the LGB Alliance in a powerful speech that highlighted just how sinister its anti-trans rhetoric is. The BAFTA-winning TV writer spoke passionately of the need for trans allyship as he collected the Inspiration Award for his seminal drama, … 583 more words
Okay, I am feeling a lot more optimistic about RTD’s new Doctor Who season after seeing this. A LOT. I still haven’t quite gotten his past racism out of my head but this is a really good step forward, especially considering, you know, how disgustingly and shamefully transphobic the BBC is these days.
Netflix have responded to the Dave Chappelle transphobia on their platform with the statement, “We have a strong belief that content on screen doesn’t directly translate to real-world harm.” So if I may, I would like to take a minute to talk about…sharks.
Peter Benchley wrote the novel Jaws in 1974 and helped write the film adaption. Jaws the movie is a FANTASTIC horror film, there’s a reason it went down in history. It made me so scared of sharks that as a child I avoided the deep end of swimming pools just in case there was a shark lurking down there. It made everyone scared of sharks.
And, because content on screen does in fact directly translate to real-world harm, people who had seen Jaws reacted by going out and killing sharks. The director of the Florida Program for Shark Research told the BBC in 2015,
“A collective testosterone rush certainly swept through the east coast of the US. Thousands of fishers set out to catch trophy sharks after seeing Jaws. It was good blue collar fishing. You didn’t have to have a fancy boat or gear – an average Joe could catch big fish, and there was no remorse, since there was this mindset that they were man-killers.”
Yep, the impact of Jaws was still being talked about in 2015! Because ya guessed it, content on screen does in fact directly translate to real-world harm.
The effect Jaws had on real-life sharks is still being discussed right now even! Conservation psychology researcher Brianna Le Busque told the Mercury News in July,
“Since Jaws, we’ve seen a proliferation of monster shark movies — ‘Open Water,’ ‘The Meg,’ ’47 Meters Down,’ ‘Sharknado’ — all of which overtly present sharks as terrifying creatures with an insatiable appetite for human flesh. This is just not true. Sharks are at much greater risk of harm from humans, than humans from sharks, with global shark populations in rapid decline, and many species at risk of extinction.”
“Exacerbating a fear of sharks that’s disproportionate to their actual threat damages conservation efforts, often influencing people to support potentially harmful mitigation strategies. There’s no doubt that the legacy of Jaws persists, but we must be mindful of how films portray sharks to capture movie-goers. This is an important step to debunk shark myths and build shark conservation.”
We don’t know how many sharks were killed by hunters who hated and feared them, but it was certainly enough. Shark populations, already in danger due to people killing them for food, plummeted. And Peter Benchley, who knew by this point that content on screen does in fact directly translate to real-world harm, was horrified. In fact, he spent a good portion of the rest of his life trying to make up for what he’d unwittingly unleashed. He became an ocean activist and once said that if he was to write the book again the shark, “would have to be written as the victim, for, worldwide, sharks are much more the oppressed than the oppressors.” He used his own money from Jaws to fund conversation efforts.
Sharks numbers are apparently growing now and generally humans have learned they’re just animals, not vengeful child-killing monsters. Yet still the amount of sharks killed because of that one movie is incalculable. So, forgive me, but Netflix’s response to what they’ve done here, promoting hate against groups who cannot defend themselves on their home turf nearly as well as sharks, it all seems extremely…
And it’s very good! I always admired Costa’s work, ever since I saw his Star Wars impressions. And I’d love it if he got a big break in mainstream Hollywood. But… If there ever was to be a Robin Williams biopic, and I’ve thought this for years, I want Will Forte to play him.
So there’s only a vague resemblance, I’ll grant you that. But Will Forte just has that same combination of manic energy and deep sadness Williams always had, I really think so.
Watching his work, especially The Last Man on Earth, I just get that vibe. I know this is a bit of fancasting that will probably never happen, and also I think the last word about whether there should even be a Williams biopic should be down to his children… but if there is, Forte is my pick.