The MCU is pretty same-y aesthetic wise, but honestly I don’t care because I love the dramatic shots of people flying in the air. Also WandaVision bucks some of the more recent superhero movie trends and gives us bright colours! Really bright colours! Hooray!
Two thoughts I had while making this:
a) I really wish there was more Claymation in the MCU, it can be used to such unsettling effect!
b) Every time Elizabeth Olsen as Wanda looks directly at the camera I feel like I’m about to die.
There’s probably nothing I can say about the quality of Paddington 2 that hasn’t already been said, but sometimes I still forget what a visually gorgeous film it is. Every frame is just, warm. And there are animated sequences included, which well frankly every single film should have.
GOD His Dark Materials is just the most beautiful show ever isn’t it? Now season three has been greenlit I revisited my favourite shots from season one and it was REALLY HARD narrowing it down to just fourteen. Everyone’s face is so expressive! (This was very nearly just a highlight reel of Ruth Wilson’s Mrs Coulter alone.)
Some faves among the faves: The evil monkey whomst I hate staring uncomprehending at an act of self-sacrifice, Mrs Coulter’s animal-like hands silouetted against the light, and the room the captured children are in looking like a blade has divided it.
I also love how many windows there are! Very appropriate right?
This show is so gorgeous that I might do a fourteen favourite shots for every single episode actually.
I’ve been on a bit of a Titanic kick recently. I screencapped the movie and I remembered how utterly sad and fascinating I find that story.
I know the film gets a lot of flack but the performances! God the performances are so good. Kate Winslet says so much with just her eyes, see shots 3 and 4 for example. Also Jonathan Hyde’s acting as J. Bruce Ismay is so very underrated. The scene where he escapes the ship, ahead of people who deserved it more… oh man. That’s one of my favourite parts of the movie.
Also how great is the fading transition which makes Jack and Rose into ghosts on the decaying ship?
But I think my favourite shot in Titanic is the first one in this set, of Jack and Cal and the unnamed father standing over the lifeboat. Jack and Cal never existed, but that guy – based on what he says to his daughters in that scene, he would appear to be Benjamin Hart. Who did very much exist, and died on the ship that night.