
Poor Rory, he lost almost everything
The treatment of people of colour in Russell T Davies’ Doctor Who has always annoyed me. While the characters themselves are great, the way they’re treated by the Doctor often is not. Steven Moffat’s Who has similar problems, but I’m gonna focus on RTD’s for now. I don’t think he’s a racist- but I do think he’s working in an industry that still has unconcious racism going on. So, let’s have a look at both Martha and Mickey, and supporting characters like Penny, Cathica and Julia.
Mickey
First, we’re going to talk about Mickey! I was a huge Mickey fan during Series Two, and was delighted to see him back in Series Four. I still quietly have my fingers crossed he’ll show up on Torchwood or something one day. Along with his wife, of course.
So, Mickey: from day one he was the butt of all the jokes. He runs into things, falls over things, and gets eaten by a wheelie bin. Then he clings to his girlfriend’s legs as she accepts the offer to travel through time, and the Doctor pointedly tells him, “You’re not invited.” But Rose cried, too, when events started spiralling out of her control. Mickey had just been kidnapped and duplicated and in fear for his life- why shouldn’t he have a massive freak-out?
In a way, Mickey starts off his time on the show as a collection of stereotypes: he’s buffoonish, cowardly, and silly. But the Doctor’s reaction to him is unpleasant. Granted, he’s unpleasant to everyone (even Rose at first, and later Jackie) but with Mickey he never really lets up. He deliberately gets his name wrong, and calls him an idiot- even though Mickey has a perfectly legitimate complaint: the Doctor not returning Rose for twelve months made Mickey look like a murderer. Even when Mickey demonstrates that he’s read up on the Doctor, and knows who he worked for and who he got killed, the Doctor dismisses him with “good boy, Ricky.” And then, throughout most of World War Three, even after Mickey’s saved Jackie, exploded a Siltheen and hacked into UNIT’s website, the Doctor’s still insulting him all over the place, for no good reason (“Mickey, you were born in the dark.” “Mickey the idiot.”) Only after Mickey’s launched a missile at the Siltheen, and after the day is saved, does the Doctor start to treat him like a competent person at all.
After World War Three things have improved for Mickey, but then in Boomtown he’s back to being called “Mickey the idiot” again. It seems unfair to compare Mickey and Rose’s accomplishments, as both of them were worthy heroes, but here’s what they did to help save the world/the doctor, in series one:
Rose:
-saved the Doctor’s life in the first episode
-became Bad Wolf, destroying the Daleks and saving Jack and the Doctor
Mickey:
-launched the missle at 10 Downing Street
-provided, along with Jackie, the means for Rose to become Bad Wolf in the first place
…in other words, exactly the same amount of Important Stuff! Hmmm.
The Tenth Doctor is a lot better when it comes to his treatment of Mickey, but he’s still the third wheel and still the Tin Dog. Nowhere is this better demonstrated than in The Girl In The Fireplace, where there’s this dialogue:
ROSE: You’re not keeping the horse!
DOCTOR: I let you keep Mickey!
No matter what Mickey’s done, and he’s done quite a lot by this point, he’s still the pet aboard the TARDIS, while Rose gets to be the equal. It’s not fair, not really.
Cathica (The Long Game)
Nine is a total jerk (I didn’t really realise how much of a jerk until I started writing this) and yes, he’s a jerk to Cathica, what a surprise. He tells her she’s not asking the right kind of questions- but she is asking questions! “We keep asking [about the heat]” “You can look at the archive, the news, the stock exchange… and you’re looking at pipes?” “How come it’s giving you the code?” And so on. She’s questioning the Doctor, maybe he doesn’t like that. Of course Rose is going to be asking different questions, she’s a visitor! And she’s used to villainy lurking around every corner, while Cathica isn’t.
Later on, indirectly talking to Cathica, the Doctor says to the Editor, “Because you’ve bred a human race that doesn’t bother to ask questions. Stupid little slaves, believing every lie.” I know it wasn’t meant to sound like it, but basically it sounds like Cathica gets to be, however briefly ‘a stupid little slave’ for…behaving in exactly the same way the rest of the human race does, not questioning things to the Doctor’s (who doesn’t live there, and isn’t human) standards. And that’s not cool. I think Russell T Davies thought he was making a point about how the human race in general doesn’t ask enough questions…so I’m gonna question you now, Russell T…
Martha
…by moving onto Martha. Like Mickey before her, she tends to do twice the work for half the credit. Martha might have been the most competent companion the Doctor ever had, and yet like Mickey she has to leave the Doctor before she’s treated as the hero she is. And Martha’s accomplishments seem to be, in general, much harder-won than Rose’s or even Donna’s. She protected the Doctor in 1913, sticking fiercely to her task despite being forced to deal with racism and sexism on an almost daily basis. Even from her best friend! That must have hurt. In the very next episode, she and the Doctor are trapped in the 1960s, another racist era. And she has to work to support him…it seems like for a long time, Martha got to see all the bad things about time-travel and none of the good. And then she has to walk across a devastated Earth for a year, avoiding danger and death and not knowing if her family were alive. (My admiration for this feat knows no bounds, because it must have been so uncomfortable, so dirty and so hard. I bet she never even got a shower or a proper meal…) And it rather gets me that the Doctor doesn’t thank her for this. All that nasty and difficult stuff, and her family left traumatized, and the Doctor forgiving the man who did it…and he doesn’t thank her. She says “I spent a lot of time with you thinking I was second best, but you know what? I am good.” And he says…nothing…
Julia (Smith And Jones)
In Martha Jones’s pilot episode we also met Julia. Don’t remember her? She’s Martha’s friend who starts crying when the hospital ends up on the moon. Crying? In a stressful kind of situation? Where have we seen that before? But, like Mickey before her, Julia is assigned the role of ‘second-best to the companion’…the Doctor completely dismisses her. Whereas one would think he’d at least take a moment to reassure her and tell it it would be okay, like he did for Rose when she cried in her first episode. And Julia isn’t really all that useless…she notices the strange weather before Martha does, and later we see her treating a patient and assessing the situation calmly.
Morvin (Voyage Of The Damned)
Morvin is portrayed as being a decent person who the Doctor likes, but he falls victim to the old trope of the black man dying first. Which is usually to show all the white characters how dangerous the situation is.
This is annoying, but what’s even more annoying is that they did it twice in Voyage Of The Damned. Earlier on in the episode, Alonso talks on the phone to one of the crash survivors, hiding in the kitchen. Who’s black, and who is promptly killed by the Host, for no reason other than to a) set the Host up as a threat and b) to give Alonso something to react to.
Penny (Partners In Crime)
The treatment of Penny in Partners In Crime really bugs me. Now, Penny’s companion material if I ever saw it. She’s clever enough to know that Miss Foster is up to no good, brave enough to sneak into her office, she gets the whole story out of Miss Foster and does it without freaking out, only screaming when the machine guns go off…
But when she meets the Doctor, we get this little exchange:
PENNY: Is anyone gonna tell me what’s going on?
DOCTOR: What, you’re a journalist?
PENNY: Yes.
DOCTOR: Well, make it up!
Would he speak like that to Sarah Jane? Somehow I think not. And then, because Penny’s rightly annoyed at being left tied to a chair and yells at the Doctor, Donna dismisses her with a “Some people just can’t take it.” Penny leaves, having to hop away still tied up, and that’s the last we see of her.
But Penny’s treatment is extra galling because she did all the work! Without her, neither Donna nor Ten would have known precisely what was going on- they only found out because they were listening in on the conversation. It was Penny who asked all the questions! It was Penny who did the exact same thing as Donna- sneak into the offices, hide in a bathroom, investigate! And she gets…humiliated and dismissed, for no reason.
Yeah, so it really doesn’t add up to anything good. I suspect this is a good example of colourblind casting really not working- when all (or, well, most) the disposable characters are people of colour, something’s gone wrong. Moffat’s DW didn’t really improve matters much either- what he generally does is have his characters of colour be acknowledged as competent, then die in an act of bravery or sacrifice (see: Guido, Rita), while RTD often had them be competent, but never acknowledged as so. Which just annoys me more for some reason.
Y’know what really annoys me about RTD’s Doctor Who? How every companion got a “second-best” assigned to them. That one person in every companion’s first episode who proved unworthy of the Doctor while the companion passed the test. Eg:
Rose – Mickey (‘You’re not invited’)
Martha – Julia (‘Dont waste my time’)
Donna – Penny (‘Some people just can’t take it.’)
Betcha can’t guess what Mickey, Julia and Penny had in common…
We’re looking at Rory now! There’s a lot of interesting things going on with him in S6. They’re rather subtle, but definitely there.
Poor old Rory. He goes through so many identities-
-Amy’s sort-of boyfriend
-Amy’s boyfriend
-Amy’s fiance
-Amy’s ‘brother’ (Vampires Of Venice)
-A nurse
-A doctor (Amy’s Choice)
-A policeman (The Hungry Earth)
-A plastic soldier
-The Last Centurion
-Amy’s husband
-The Doctor himself (“You’re turning me into you”) – who is the other man who wasn’t real, in a way
-A human soldier (unmarried)
-A father to a baby girl
-A father to an adult woman
…that it’s not surprising he doesn’t know what’s real and what’s not anymore. That’s not to even mention all the times he was dead or non-existant! This forms the crux of Rory’s character arc, I feel. A lot of it is actually terribly sad once you unravel it, making me feverently hope that Rory leaves the TARDIS happily in the end.
The Almost Person
Rory meets Jen in The Rebel Flesh, and she’s a parallel to Amy. Both lost girls, in red wellies…

A lot of people picked up on the fact that Jen’s situation- What am I, am I even human?- mirrors Rory’s in TPO. “I’m Rory!” vs “I am Jennifer Lucas.” It’s no wonder he became attached to her- not only is she someone he can nurse, she’s someone who’s going through the same thing he went through. She has to be real, because that means he was real, that everything he went through as the Last Centurion was real. It’s not just behind a door in his head, it’s something he can take out and process…
Jen betrays him, of course. But less than an hour later, the stakes are even higher, as Amy’s reality/humanity is called into question. She’s a Flesh avatar.
It’s not just in The Almost People that Amy’s called ‘not real’, either. Rory wants all the people in his life to be real-
The Rebel Flesh:
RORY Don’t be like that. Listen, she’s real, okay?
AMY I said I agree with you, so drop it. [This can only be heard in the background, listen out for it!]
The Girl Who Waited:
DOCTOR No, she’s not real.
RORY She is real. Let her in!
Rory wants things to be real again. But it keeps ending in death. Jen betrays him, Amy is a Flesh avatar, Old Amy dies…

And then there’s the worst thing of all. Rory wanted to be a father…look at him tenderly touching the mobile over the cot. And then he is, and then in no time at all he isn’t– he has River, true, but she doesn’t really need a father. Like Jen, like himself for a while, Melody wasn’t real. He never even got to hold the ‘real’ her, only the Flesh her. He has River, and he had Mels…but he’ll never have Melody, not really. No-one will ever sleep in that imaginary cot, in that yellow room…

It is made clear that Rory cares deeply for Mels and River, though. When Mels is dying, Rory’s expression shows frantic desperation. On seeing River shot he cries “No!”, and on seeing her dancing with Amy in the garden, he’s pleased. That can’t have been the first time River’s visited her parents, either, as neither Amy nor Rory are surprised to see her. So Rory did get to be a father in some sense, I guess, which is something. We’ll see how it plays out in Season Seven…
That’s Your Weapon, Prayer?

Now, I always thought Rory was a Christian, or had some kind of religious faith at least. This little deleted scene from Cold Blood is what ignited the idea:
Rory to Alaya: I want to understand you. You’re our predecessors here. You’re our history. I want to know what it feels like. I’m not going to harm you. (gently touches her face) What do your people believe? I mean, do you have a god?
Alaya: A deity for simple-minded apes.
Rory: I should’ve put you in a room with my dad. He’d soon put you right on that.
Alaya: We see how you live your lives. The beliefs you cling to for comfort. And now we laugh at you. Aren’t you confused now, ape? Doesn’t my existance disprove your ape religion?
Rory: People’s beliefs aren’t that fragile.
Alaya: What do you believe, ape?
Rory: I never used to believe in anything. Except the healing power of sweet, strong tea. But being with the Doctor, the wonders he’s shown us, it’s given me…faith. I see why Amy kept waiting for him. Cos now I believe there are far greater things in the universe than we can ever imagine.
(The fact that we’re due to meet Rory’s dad, possibly, has me very excited.)
But by the time we get to The God Complex, Rory’s lost all faith. He’s got nothing for the Minotaur to latch on to, and when I think of that deleted scene it makes me so sad for him. But for a man with no faith, he still clasps his hand in prayer when witnessing death…

And only when kneeling (as if in prayer) does he find what he seeks: a exit-


Travelling with the Doctor, Rory lost so much. His child, his identity and his faith. No wonder he wants a way out…
The Warrior Nurse
Faith or no faith, Rory suffers through a terrible thing. He’s a healer, and a cruel twist of irony made him part of the greatest military machine in the universe- he became a soldier trained to kill and kill cruelly. Being in the Roman army can’t have been fun:
Being held personally responsible for the training and discipline of the legionaries under their command, centurions had a well-deserved reputation for dealing out harsh punishment. In The Annals, Tacitus tells the story of one known as ‘Cedo Alteram’ – which roughly translates to ‘Gimme Another’: “The mutinous soldiers thrust out the tribunes and the camp-prefect; they
plundered the baggage of the fugitives, and then killed a centurion, Lucilius, to whom, with soldier’s humour, they had given the nickname ‘Gimme Another’, because when he had broken one vine-stick across a soldier’s back, he would call in a loud voice for another… and another.” (from Wikipedia)
Makes ya wonder. (I do actually have a fanfic in the works about Rory’s time in the Roman army.)
It’s oddly fitting that Rory ended up in the Roman era. Of course, it happened because Amy was a fan of Roman history to begin with (and the Alliance extracted that from her brain), but also Amy’s father/Rory’s father-in-law is named Augustus, which is the name of the first Roman emperor. And on a meta level (which I love), Karen Gillan first appeared in an episode set in the Roman era:

In the episode A Good Man Goes To War we see Rory develop a kinship with Strax the Sontaran, who’s a soldier (from a race where military might determines worth) forced to be a healer. That isn’t the only time we see a Sontaran as a mirror of Rory:

Heck, that isn’t the only time we see a member of a soldier-race as a mirror of Rory:

There’s always gonna be a soldier- a killer– in Rory, and sure enough, when The Wedding Of River Song rolls around he’s a soldier again. The Doctor notices it too. “Always the soldier, waiting to be noticed, why is that?” Interestingly, though- unlike the Sontarans and Judoon, Rory doesn’t blindly follow orders. His commander, Amy, tells him to take his eyepatch off, but he doesn’t – he needs it on so he can save her life. And Amy realises, by his willingness to die for her (and note, he doesn’t even really know her, in this universe!) that he’s the One True Love she’s been searching for.

All through Day Of The Moon to The Doctor’s Wife, Rory repeats that “I’m a nurse,” in times of stress or tragedy. Almost like he’s clinging to it. But in A Good Man Goes To War, when Rory’s daughter is gone, his wife is devastated and his friends are dying, he can’t bring himself to say those words. Actually, from then on he doesn’t bring up his career at all…he never says “I’m a nurse” again.
You’re Turning Me Into You

In The Girl Who Waited Rory dresses almost exactly like the Doctor, even mirroring his movements. Heck, with the glasses on, he looks a little like Ten:

And the Doctor sees through Rory’s eyes (much like he will later see through the eyes of the Tessalecta- are his companions still weapons?) but he can still only see himself, rather than Rory. “Hello, handsome man!” Our Doctor, bless him, is so very selfish- and yes, he did just turn Rory into him…
And of course everyone noticed this-

But in The Girl Who Waited, although Rory fears he’s becoming the Doctor, he actually turns into Amy. All that talk of faces- Amy calls Rory ‘stupid face’, but when she tells her older self how beautiful her husband is, it’s his face she references.
Amy won’t save herself, so Rory tells her to “Look me in the face and say that now.” Amy looks at his stupid face and sees herself:

So in the end- just like he did when he married her and became a Pond- Rory shared his identity with Amy. She’s what keeps him real…