I can’t write tonight, so I decided to do something I’ve not done for ages, and research my family tree.
I
think I’ve lost one of the bits of paper I scrawled stuff about my
great-great grandfather on, which is VERY annoying. Also my lack of
maths skills (so I find it hard to work out when people were born) and
my inability to pay for any of the big genology sites are weighing me
down. But…
I am pretty sure that my great-great grandfather’s name
was Levenski, and he was Jewish, and a scribe in the court of the
Russian Tsar, Alexander II. After Alexander was assassinated (in a really gruesome way) everything seems to have gone to hell really fast. A pogrom against Jewish people quickly
sprung up (since they were blamed for the assassination for…some
reason. Well, I suppose anti-semitism’s the actual reason) and loads and
loads of Jewish people, including my great-great-grandfather and his
family, decided to get out of there as soon as possible. They ended up
in Britain (Leeds or Hull, I think? Maybe?) and somewhere down the line
my great-grandfather, whose name was Phillip, changed the family surname
from Levenski to Phillips, which was my mother’s maiden name. (Also,
this made him Phillip Phillips.) He had seven kids including my
grandfather, and the rest is um…history?
Also, Phillip Phillips’s wife / my great-grandmother came from a family called Godowski, and she may have been related to this guy, I’m not sure.
The
older members of my family then continued to have a really odd
relationship with Jewishness as far as know and there are some strings
there I am just plain not gonna pull.
Annnnd…that is the story of
my mother’s family history, as far as I know it. I really, really I knew
more, because while most of the time they lived through was horrible I still kinda…want to know about it. I suppose that’s only natural. (After all, if they hadn’t survived, I wouldn’t be here…)
There was a big queue for Platform 9 ¾ at King’s Cross, children and adults alike, and I was the only one who asked for the Hufflepuff scarf for the photo. “Most people don’t admit to being Hufflepuffs,” said the guide. “Outrageous.” I said.
Really, this one starts in
2005, almost ten years ago, when my school put on a production of Les
Mis. It blew my mind in a way no other production of anything has
ever blown my mind. Maybe it was the sheer power of the story, maybe
because the people on stage were all mostly kids I knew (Valjean and
Javert in particular were played by two ridiculously talented blokes. I
sometimes wonder if either of them took a shot at professional acting),
maybe because I’d never heard those amazing songs before – but I loved
it. I totally loved it. And then, because Les Mis wasn’t that big a
thing at that point in time and because I had so much else to occupy me,
I sort of…forgot about it for years and years.
But then the
movie came out, and it blew my mind all over again, and I turned to the
book shortly after that. And the book is long and difficult, as
everyone knows, but it’s so worth it. I’ve been trying to put
into words exactly why but I think the reason why it’s so wonderful, why
it works so well is because it has so many characters and yet you can
tell that Hugo cared so much about them (well, with some
exceptions, there are a few truly evil people in there) – everyone from
Valjean to Eponine to Feuilly to Fauchelevent to Javert, Hugo didn’t
care about them just as symbols (which, in a book of this kind, wouldn’t
necessarily have been a bad writing decision) but as people, who do good things and bad things and everything in between.
On
the same note as the above: Grantaire. Just…Grantaire, man. I don’t
think any character’s ever had quite the same impact on me. Everybody’s
got that one character (or more than one) who feels like an actual
living, breathing and welcoming friend, who has absolutely been
there through some truly shitty times, and he’s mine. And many other
people’s, which somehow makes it even better.
So yeah…all that, and the fandom was absolutely amazing when
I first joined it, right after the movie. It disintegrated over time,
as all fandoms do. But I geniunely count January – August 2013 as one of
the best periods of my entire life, and Les Mis was a pretty big part
of that.
From the personal diary of H.M. KOVARIAN, 50/15/5145
At
some point I went through all the Doctor Who wiki to try and work out
when exactly A Good Man Goes To War was set and if I had any leeway with
the timelines and whatnot. I think I got the year either right or not
overly wrong.
The ceremony was a stupid idea.
Manton
gave a little speech, directed at his soldiers, about how it is the
highest honour for a woman to be a mother. About how marriage isn’t
marriage without kids (that directed, I know, at me- he knows what I
did),
Hey, Moffat, I stole your line! A year or so back, in
your intro to the Good Man Goes To War bit of the Guide To The 2011
Series, you talked about how marriage can’t be considered real marriage
unless you’ve had a kid. And really pissed me off. So…er…congrats. More on you later.
about
how we must show Amy the utmost respect now. And her husband, too, if
he arrives and proves to be an ally. (There has been talk about this
possibility- it seems incredibly unlikely even to me, but we do not know
what sort of man Rory Williams is.)
I really like the Legend
Of The Last Centurion thingy they played with a bit in Series Six. I
like the idea of Rory pretending to be an ancient, vengeful creature
when he’s really…not.
Anyway. He dreams of a new Mary and
Joseph with a little female Jesus- a dream soon to be dashed, I fear.
More so than they have been already, for things did not go as planned.
Manton gave his speech, and then he gestured to Amy Pond, up above them
all in her prison with her baby. She was dressed in white, like a ghost,
and she looked so small with the crowd beneath her.
If this
fic had a subtitle, it would be, simply, ‘Who undressed Amy’? Because
when she was kidnapped, there’s no way she was wearing that white gown
thing she gave birth in. Someone must have undressed her while she was unconcious. (Fun fact: That maaaaay be why I reacted so strongly to this.) Even before we knew that other stuff happened at Demon’s Run – something that left Amy barren – we knew they stripped her.
They raised their hands to her. Some of them clapped. Amy looked down
on them. I have read Manton’s primitive fairytales- the ones with which
he controls his lackeys- and Amy Pond looked in that moment much more
like a warrior of god than any of the soldiers down below.
With a
thousand men and women staring up at her, she raised her hand to her
chest. She undid the buttons on her gown, one by one, with her sleeping
baby in her other hand- and slowly but surely she disrobed entirely,
stood naked before us.
We all of us saw it, the scars and the
stitches crisscrossing on her skin. We were all of us forced, for less
than half a minute, to see. Her body altered by childbirth, legs
unshaven, breasts limp- eyes cold and calculating. She stared at me.
I got chills when I wrote that. Amy really does have no agency, no hope whatsoever here, and yet she still finds
a way to fight back against her captors, even if it’s just by showing
them the true price they’re all paying. It’s just…it just seemed so
in-character for her. Amy Pond knows a lot of things, but mostly I think
she knows how people’s minds work. She knew Kovarian would see her and be ashamed. It was the only triumph she was gonna get, and she took it without a second thought.
I looked back, of course, at the thick red lines. I could not be
ashamed of my own handiwork, of the collateral damage, of the egg I
broke. But eventually, like almost all the others did, I turned away
from Amy Pond. I have seen places on and in her that even her real own mother had not…
Madame Kovarian (who earlier in life, it is noted, gave up a daughter with red hair) slips up a little there.
it seemed obscene for her to be showing to men what only women had seen-
Madame Kovarian terrifies me in this because she geniunely believes she
has a right to Amy’s body. Why? Because a) she needs it for a higher
purpose and b) …the even more terrifying reason…she thought Amy had,
through having sex, through being promiscuious, relinquished her own right to it.
This is what Madame K says later to her: “Think of what you were before
we found you. A vacant, pretty face who dressed like a slut and sold
her mouth to men! You were a nothing then, and you are a nothing now. A
human incubator.” Madame K is utterly and totally a misogynist and the
worst kind of victim-blamer: Amy Pond is not the correct sort of woman,
so she deserves everything she gets. It’s horrible…
…and
I’d be lying if I said some tiny part of it wasn’t influenced by
fandom. I love Amy. Adore her, and relate to her a lot. It stings when
people call her things like “just a pretty face” “not a character” “ a
wank fantasy” and so on. Some people say things like “Moffat obviously
hates women, because he wrote Amy as a slut.” I shouldn’t even have to
talk about what’s wrong with that, and yet…I did talk about it, because I
think that might even be what the fanfic is about in some sense. Or at
least what sparked it.
Who owns the body of a woman who’s not real?
I
know the Amy I’m writing about in this fanfiction isn’t, can’t be, the
exact same Amy Steven Moffat wrote into a glass tube. (Aside from
anything else, I thought about the implications of her kidnapping and
pregnancy, and he didn’t.) I mean, this Amy swears; original Amy is on a
children’s show and can’t. The characers who surround this Amy can say
the word ‘rape.’ And that’s just for starters.
But…characters
are always real people to the people who love them. So I was writing
Amy as if she was a real person: not created by Steven Moffat, not
created by anyone, just a person who walked into my life with all those
particular, horrible experiences. If someone had said those things to
the real-life Amy, that woman who doesn’t exist, they would have been…a
profoundly terrible person. Amy’s not real, so it’s all a moot point.
But at the moment I wrote Kovarian’s dialogue, I wasn’t thinking any of
that. I was thinking, “How dare you judge this person by what happened
to her, instead of what she is.” Amy says almost that exact thing, at
the end of the story.
Dr White reached for a control pad and
turned the lights off in her cell. I do not know if he punished her- I
don’t think he did, and certainly not in that way, I watched the
security cameras even after dark. But she did not get her DVDs, I know
that much.
The punishment MK was thinking of is exactly what
you’re thinking, too. (I dunno if I went too far with that line. Maybe I
did. I suppose this is at its core a story about misogyny, but I don’t
know.)
Things They Talked About In The Playground is
absolutely the most – important? – fanfic I’ve ever written: it
influenced my original work massively. I’ve loved Doctor Who since I was
sixteen, I’m twenty-six now, it’s been with me for a massive part of my
life.
But mostly through my adulthood.
I used to work in a school playground; kids absolutely talked about Doctor Who.
I hope they will for many years to come, but I am certain that some of
them, especially the girls, will watch the Amy pregnancy arc later on
and wonder – Who undressed her? Who spread her legs? My story gets a bit
meta at the end. MK tells Amy children will talk of her in the
playground, but there’s a real playground, real children, in real life.
Amy herself sums up what was pretty much the reason I wrote this story:
“They
still might talk about this in the playground,” she said. “When and if
the story ever gets told. And they’ll wonder, eventually, they’ll
wonder. They’ll wonder who stripped me. They’ll wonder who cut into me.
They’ll wonder what went where, when that was done. They’ll wonder. And what will their parents tell them, when they ask?”
I want to teach my future kids to be critical of the media they consume. I’ll most likely be that parent. I may not – beyond “judge people by what they do, not by what was done to them” – know what to tell them.
2. Describe your happy place.
Somewhere with my friends and family around that also had ice cream,
chocolate and sun. Disneyworld maybe. Let’s say Disneyworld
3. Coffee or tea? I hate both. I am a bad Brit
4. Would you go to the movies alone? ABSOLUTELY, I don’t understand the stigma against it
5. What superpower would you have? The
ability to stop time would be great for a while but I suspect it’d
drive you mad. I’ll take force-fields! That covers invisibility and
phasing and flying and all sorts, that sounds fun.