writing

Toad Words

jumpingjacktrash:

the-real-seebs:

ursulavernon:

            Frogs fall out of my mouth when I talk. Toads, too.

            It used to be a problem.

            There was an incident when I was young and cross and fed up parental expectations. My sister, who is the Good One, has gold fall from her lips, and since I could not be her, I had to go a different way.

            So I got frogs. It happens.

            “You’ll grow into it,” the fairy godmother said. “Some curses have cloth-of-gold linings.” She considered this, and her finger drifted to her lower lip, the way it did when she was forgetting things. “Mind you, some curses just grind you down and leave you broken. Some blessings do that too, though. Hmm. What was I saying?”

            I spent a lot of time not talking. I got a slate and wrote things down. It was hard at first, but I hated to drop the frogs in the middle of the road. They got hit by cars, or dried out, miles away from their damp little homes.

            Toads were easier. Toads are tough. After awhile, I learned to feel when a word was a toad and not a frog. I could roll the word around on my tongue and get the flavor before I spoke it. Toad words were drier. Desiccated is a toad word. So is crisp and crisis and obligation. So are elegant and matchstick.

            Frog words were a bit more varied. Murky. Purple. Swinging. Jazz.

I practiced in the field behind the house, speaking words over and over, sending small creatures hopping into the evening.  I learned to speak some words as either toads or frogs. It’s all in the delivery.

            Love is a frog word, if spoken earnestly, and a toad word if spoken sarcastically. Frogs are not good at sarcasm.

            Toads are masters of it.

            I learned one day that the amphibians are going extinct all over the world, that some of them are vanishing. You go to ponds that should be full of frogs and find them silent. There are a hundred things responsible—fungus and pesticides and acid rain.

            When I heard this, I cried “What!?” so loudly that an adult African bullfrog fell from my lips and I had to catch it. It weighed as much as a small cat. I took it to the pet store and spun them a lie in writing about my cousin going off to college and leaving the frog behind.

            I brooded about frogs for weeks after that, and then eventually, I decided to do something about it.

            I cannot fix the things that kill them. It would take an army of fairy godmothers, and mine retired long ago. Now she goes on long cruises and spreads her wings out across the deck chairs.

            But I can make more.

            I had to get a field guide at first. It was a long process. Say a word and catch it, check the field marks. Most words turn to bronze frogs if I am not paying attention.

            Poison arrow frogs make my lips go numb. I can only do a few of those a day. I go through a lot of chapstick.  

            It is a holding action I am fighting, nothing more. I go to vernal pools and whisper sonnets that turn into wood frogs. I say the words squeak and squill and spring peepers skitter away into the trees. They begin singing almost the moment they emerge.

            I read long legal documents to a growing audience of Fowler’s toads, who blink their goggling eyes up at me. (I wish I could do salamanders. I would read Clive Barker novels aloud and seed the streams with efts and hellbenders. I would fly to Mexico and read love poems in another language to restore the axolotl. Alas, it’s frogs and toads and nothing more. We make do.)

            The woods behind my house are full of singing. The neighbors either learn to love it or move away.

            My sister—the one who speaks gold and diamonds—funds my travels. She speaks less than I do, but for me and my amphibian friends, she will vomit rubies and sapphires. I am grateful.

            I am practicing reading modernist revolutionary poetry aloud. My accent is atrocious. Still, a day will come when the Panamanian golden frog will tumble from my lips, and I will catch it and hold it, and whatever word I spoke, I’ll say again and again, until I stand at the center of a sea of yellow skins, and make from my curse at last a cloth of gold.

Terri Windling posted recently about the old fairy tale of frogs falling from a girl’s lips, and I started thinking about what I’d do if that happened to me, and…well…

!.

You know how if you go through years and years of “best science fiction short stories”, every so often you find some short story you’ve never heard of before, but it’s just amazing and brilliant and leaves you wondering why you never read stories with that plot before? This is one of those.

Seriously, wow.

this made me smile.

i’m still smiling.

As for “Write what you know,” I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them.

Ursula Le Guin

(via invisibledragon)

Here’s what fanfiction understands that the Puppies don’t: inversion and subversion don’t ruin the story – they just give you new ways to tell it, and new tools to tell it with. Take a platonic relationship and make it romantic; there’s a story in that. Take a romantic relationship and make it platonic; there’s a story in that, too. Take a human and make her a werewolf; take a werewolf and make him human. Don’t try and sidle up on hurt/comfort like it’s something you’re ashamed to be indulging in; embrace the tropes until you have their mastery. Take a gang of broken souls surviving the apocalypse and make them happy in high school; take a bunch of funny, loving high school kids and shove them in the apocalypse. Like Archimedes, fanfic writers find the soul, the essence of what makes the characters real, and use it as a fulcrum on which to pivot entire worlds, with inversion/subversion as their lever of infinite length.

Religious curses are so interesting because they reflect world-building more accurately that the other types of swears do.

So when Patrick Rothfuss’s character says “Shit in God’s beard,” you know beards are important to the culture of the guy who is swearing, and when N.K. Jemisin has one of her characters, a god, say “gods,” in a moment of frustration, a reader learns something about this world: there is more than one god, for example, and this particular god probably prays to a god higher than herself.

Swearing is about taking the name of something important in vain. You can learn a lot about a culture’s values by looking at the things it considers to be obscene.

That’s the best kind of (expletive deleted) world-building there is.

eighthdoctor:

tardis-scooter replied to your post: my favorite part about the fly-by so f…

“…Always seeing patterns in things that aren’t there.

ok but HONESTLY one definition of intelligence is that it’s pattern recognition and humans are ridiculous at it

at least half a dozen cultures from all over the world (babylonians, maori, chinese, aztecs, native australians, chinook) independently looked up at the sky and went “yeah that clump of dots, that looks like a significant clump of dots, we’re gonna give it a name”

like constellations are such a strange thing, we not only had to look up at the stars, but we had to find significance in them, and their positioning, and decide to play connect-the-dots with them, and then either make up stories to go with our drawings or make up drawings to go with our stories

we see patterns in literally everything, that’s where conspiracy theories come from, that’s where superstition comes from, one argument (that i don’t hold to, but it has some validity) is that that’s where religion comes from

we like patterns and we like stories, if there’s one thing that even more cultures have than constellations, it’s stories, there’s an argument to be made that it’s storytelling that differentiates us from chimpanzees and bonobos

“we are Pan narrans, the storytelling chimpanzee” thank u pterry

and what’s a better story than “we spent decades and billions of dollars trying to send a probe to this tiny space rock and when we get there it’s so happy to see us it has our symbol of love and affection on it”

like honestly

Professional Stupid Writer Tricks

scottlynch78:

When you’re absolutely stuck in a scene, write one of the characters in it yelling: “Makin’ pancakes! Makin’ bacon pancakes!” Then give yourself just a few minutes to write all the other characters reacting appropriately, as though that had genuinely just happened in their reality.

—–

“Why are you so unfriendly?’ said Boromir. ‘I am a true man, neither
thief nor tracker. I need your Ring: that you know now; but I give you
my word that I do not desire to keep it. Will you not at least let me
make trial of my plan? Lend me the Ring!

“No! No!” cried Frodo. “Makin’ pancakes! Makin’ bacon pancakes!”

“It is by our own folly that the Enemy will defeat us,” cried Boromir. “This is no time to take bacon and put it in a pancake! How it angers me! Fool! Obstinate fool!”

—–

And then erase the goofy stuff and go back to where you were, hopefully slightly refreshed.

This is a shorter variation on Steven Brust’s trick for when he’s stuck on a major plot point. He writes a scene in which all the characters get together and have a meal, at which they bitch about their situation, about possible solutions, and about what a jerk their author is. When the characters have agreed upon a course of action, Steve deletes the meal scene and has them enact whatever decisions were made in it.

Hey Writers/Game Masters!

therobotmonster:

If you’re ever stuck for a character name for a sci-fi or fantasy setting, I found something to help!

Google Translate + Esperanto! Just type in a two word phrase and you get a character name. It works nearly every time.

For example…

image

Numeron K’var, that sounds like a mid-level imperial bureaucrat to me. 

But wait, you say, surely that’s just a fluke, I mean…

image

Ok, so Salato runs the best restaurant on the Urathi peninsula, but what about something harder, something meme-y?

image

Iri Rapida, the message courier. A little on the nose with the surname, but this is genre fiction. How about a film-editing term?

image

Hi there, head of the thieves’ guild. What else?

image

Awesome. 

I just use the names of the villages around my hometown. I’ve already got Aspley Guise, Higham Gobion, Marston Moretaine, Husborne Crawley and Moggerhanger (the ideal name for a ship’s cat).