We do not execute. We do not massacre. We never, you may be very certain, we never torture. We have no truck with crimes of passion or hatred or pointless gain. We do not do it for a delight in inhumation, or to feed some secret inner need, or for petty advantage, or for some cause or belief; I tell you, gentlemen, that these reasons are in the highest degree suspect. Look into the face of a man who will kill you for a belief and your nostrils will snuff up the scent of abomination. Hear a speech declaring a holy war and, I assure you, your ears should catch the clink of evil’s scales and the dragging of its monstrous tail over the purity of the language.
No, we do it for the money.
And, because we above all must know the value of a human life, we do it for a great deal of money.
It is said that, during the fantasy book in the late eighties, publishers would maybe get a box containing two or three runic alphabets, four maps of the major areas covered by the sweep of the narrative, a pronunciation guide to the names of the main characters and, at the bottom of the box, the manuscript. Please… there is no need to go that far.
There is a term that readers have been known to apply to fantasy that is sometimes an unquestioning echo of better work gone before, with a static society, conveniently ugly ‘bad’ races, magic that works like electricity and horses that work like cars. It’s EFP, or Extruded Fantasy Product. It can be recognized by the fact that you can’t tell it apart form all the other EFP.
Do not write it, and try not to read it. Read widely outside the genre. Read about the Old West (a fantasy in itself) or Georgian London or how Nelson’s navy was victualled or the history of alchemy or clock-making or the mail coach system. Read with the mindset of a carpenter looking at trees.
Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works.
I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense. You are allowed to make pigs fly, but you must take into account the depredations on the local bird life and the need for people in heavily over-flown areas to carry stout umbrellas at all times. Joking aside, that sort of thinking is the motor that has kept the Discworld series moving for twenty-two years.
“Notes from a Successful Fantasy Author: Keep It Real” (2007), Terry Pratchett. (via shirogiku)
Real dark forces… aren’t dark. They’re sort of gray, like Mr. Grimm. They take all the color out of life; they take a town like Blackbury and turn it into frightened streets and plastic signs and Bright New Futures and towers where no one wants to live and no one really does live. The dead seem more alive than us. And everyone becomes gray and turns into numbers and then, somewhere, someone starts to do arithmetic…
You couldn’t say ‘I had orders.’ You couldn’t say ‘It’s not fair.’ No one was listening. There were no Words. You owned yourself. […] Not ‘Thou Shalt Not’. Say ‘I Will Not’.
All witches are selfish, the Queen had said. But Tiffany’s Third Thoughts said: Then turn selfishness into a weapon! Make all things yours! Make other lives and dreams and hopes yours! Protect them! Save them! Bring them into the sheepfold! Walk the gale for them! Keep away the wolf! My dreams! My brother! My family! My land! My world! How dare you try to take these things, because they are mine!
This quote right here, which I read years before I read one of his novels literally and I say this with no poetic liberty, saved my life. I repeat it to myself constantly to this day.
For several months I’ve been trying to figure out how to draw the letter D for my Discworld ABC: animated, not animated, Death+Binky, Death+Susan…
It is the saddest thing that I finally figured it out.
I will never get to tell him how he changed my life, how through his works he made me a better person and how much of an inspiration, role model and hero he was to me, to all his fans. I have read so many beautiful posts about Terry and am a little embarrassed because all I can say is this: I never met him, I never saw him, I never even was in the same country as him, but I swear to god, I loved this man with all my heart.
