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It makes him different than Luke Skywalker, but it’s not like that’s his super power. The best expression of the Force is not a lightsaber fight or other combat techniques. It’s really about your connection to life, to everything around you, and your ability or willingness to let go, to find peace, and ultimately become a selfless part of existence. Luke Skywalker does not use some special ability to save his father. He trains hard, finds discipline, knowledge, but in the end there is no power that aids him, except the power of compassion and love; the act of forgiveness and apparent self-sacrifice is what saves his father from the dark side. Not a lightsaber fight.

Dave Filoni

Let’s all just take a moment to appreciate the fact that this is one of the key people involved with the future of the franchise.

(via amarielah)

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There are six people living in space right now. There are people printing prototypes of human organs, and people printing nanowire tissue that will bond with human flesh and the human electrical system.

We’ve photographed the shadow of a single atom. We’ve got robot legs controlled by brainwaves. Explorers have just stood in the deepest unsubmerged place in the world, a cave more than two kilometres under Abkhazia. NASA are getting ready to launch three satellites the size of coffee mugs, that will be controllable by mobile phone apps.

Here’s another angle on vintage space: Voyager 1 is more than 11 billion miles away, and it’s run off 64K of computing power and an eight-track tape deck.

In the last ten years, we’ve discovered two previously unknown species of human. We can film eruptions on the surface of the sun, landings on Mars and even landings on Titan. Is all of this very boring to you? Because all this is happening right now, in this moment. Check the time on your phone, because this is the present time and these things are happening. The most basic mobile phone is in fact a communications devices that shames all of science fiction, all the wrist radios and handheld communicators. Captain Kirk had to tune his fucking communicator and it couldn’t text or take a photo that he could stick a nice Polaroid filter on. Science fiction didn’t see the mobile phone coming. It certainly didn’t see the glowing glass windows many of us carry now, where we make amazing things happen by pointing at it with our fingers like goddamn wizards.

That, by the way, is what Steve Jobs meant when he said that iPads were magical. The central metaphor is magic. And perhaps magic seems an odd thing to bring up here, but magic and fiction are deeply entangled, and you are all now present at a séance for the future. We are summoning it into the present. It’s here right now. It’s in the room with us. We live in the future. We live in the Science Fiction Condition, where we can see under atoms and across the world and across the methane lakes of Titan.

Use the rear view mirror for its true purpose. If I were sitting next to you twenty-five years ago, and you heard a phone ring, and I took out a bar of glass and said, sorry, my phone just told me it’s got new video of a solar flare, you’d have me sectioned in a flash. Use the rear view mirror to imagine telling someone just twenty five years ago about GPS. This is the last generation in the Western world that will ever be lost. LifeStraws. Synthetic biology. Genetic sequencing. SARS was genetically sequenced within 48 hours of its identification. I’m not even touching the web, wifi, mobile broadband, cloud computing, electronic cigarettes…

Understand that our present time is the furthest thing from banality. Reality as we know it is exploding with novelty every day. Not all of it’s good. It’s a strange and not entirely comfortable time to be alive. But I want you to feel the future as present in the room. I want you to understand, before you start the day here, that the invisible thing in the room is the felt presence of living in future time, not in the years behind us.

How To See The Future (via blogarsay)

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We do not execute. We do not massacre. We never, you may be very certain, we never torture. We have no truck with crimes of passion or hatred or pointless gain. We do not do it for a delight in inhumation, or to feed some secret inner need, or for petty advantage, or for some cause or belief; I tell you, gentlemen, that these reasons are in the highest degree suspect. Look into the face of a man who will kill you for a belief and your nostrils will snuff up the scent of abomination. Hear a speech declaring a holy war and, I assure you, your ears should catch the clink of evil’s scales and the dragging of its monstrous tail over the purity of the language.
No, we do it for the money.
And, because we above all must know the value of a human life, we do it for a great deal of money.

Terry Pratchett, from Pyramids
(via deprecates)

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It is said that, during the fantasy book in the late eighties, publishers would maybe get a box containing two or three runic alphabets, four maps of the major areas covered by the sweep of the narrative, a pronunciation guide to the names of the main characters and, at the bottom of the box, the manuscript. Please… there is no need to go that far.
There is a term that readers have been known to apply to fantasy that is sometimes an unquestioning echo of better work gone before, with a static society, conveniently ugly ‘bad’ races, magic that works like electricity and horses that work like cars. It’s EFP, or Extruded Fantasy Product. It can be recognized by the fact that you can’t tell it apart form all the other EFP.
Do not write it, and try not to read it. Read widely outside the genre. Read about the Old West (a fantasy in itself) or Georgian London or how Nelson’s navy was victualled or the history of alchemy or clock-making or the mail coach system. Read with the mindset of a carpenter looking at trees.
Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works.
I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense. You are allowed to make pigs fly, but you must take into account the depredations on the local bird life and the need for people in heavily over-flown areas to carry stout umbrellas at all times. Joking aside, that sort of thinking is the motor that has kept the Discworld series moving for twenty-two years.

“Notes from a Successful Fantasy Author: Keep It Real” (2007), Terry Pratchett.
(via shirogiku)

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It is difficult to be sat on all day, every day, by some other creature, without forming an opinion on them.

On the other hand, it is perfectly possible to sit all day, every day, on top of another creature and not have the slightest thought about them whatsoever.

Douglas Adams

this quote was literally in my sociology book 

(via krewvira)

Pretty much the best analogy for any of the -isms I’ve ever encountered.

(via theactualcluegirl)

Douglas Adams knew what was up.

(via knitmeapony)

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the-other-51:

“If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.”  – Ray Bradbury

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Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’

Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.

Vincent Van Gogh
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