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Doctor to Amy: YOU DON’T EVER DECIDE WHAT I NEED TO KNOW!
Doctor: *proceeds to not tell Amy that she’s pregnant and a ganger and about to wake up about to give birth in a scary white tube*
Doctor to Amy: YOU DON’T EVER DECIDE WHAT I NEED TO KNOW!
Doctor: *proceeds to not tell Amy that she’s pregnant and a ganger and about to wake up about to give birth in a scary white tube*
I was gonna just do one post on colours and costumes, but the post got so long I split it into two. This one is about how the Ponds have matching outfits. Well, kind of…
Amy and Rory
Rory and Amy dress alike from the beginning. In their first episode, they’re both wearing uniforms.

In Vampires Of Venice, they’re both wearing red and blue. Aha! Red and blue. Remember all that stuff? Amy, always associated with red, has to chose between her red man and her blue man- the man whose name means Red like her hair, or the man in the Blue box? But the colours, even hers, are all confused now…she’s wearing both, and so is Rory, no-one can decide what they want to be. Fiancee? Husband? Brother?

In Amy’s Choice, Amy’s in red and blue again, but Rory’s all in blue- TARDIS blue, almost. A sign that if Amy really was living with him in this world, she would be using him to replace the Doctor and TARDIS rather than loving him for himself?

And, once the Doctor turns up, Amy puts on a coat the same colour as the Doctor’s.

At the end, Amy’s in red and blue again- no Doctor coat now- and Rory’s in red. Although they still currently want different things, their colours (like in Vampires Of Venice) complement each other, and they can see each other for what they are.

Amy and Rory are wearing complementing colours again in The Hungry Earth:

In Vincent And The Doctor, Amy is wearing blue, Doctor blue. But she’s still got a red scarf to bind her to the fiance she’s forgotten:

And underneath the blue, it’s all red. Rory is still with Amy, deep in her subconcious…

As Amy and Rory’s relationship becomes stronger, they start to wear each other’s clothes. This is nicely demonstrated by The Pandorica Opens, where Amy wears trousers and Rory wears a skirt:

Amy’s flowing red scarf is also reminisent of Rory’s flowing red cape…
All throughout Series Six, they’re dressed alike quite a lot- the same styles (plaid! lots of plaid!) and colours:


Even as teens- on the day they realised they liked each other, they were wearing colour-coordinating clothes:

At the end of Series Six, Amy is wearing Rory’s jacket under her blanket:

One could look at this and say it means that Amy has been completely consumed by Rory and being his wife. But I think it’s a way to keep Rory in the scene- he doesn’t show up til the end of that scene, after all- and a way of showing that Rory and Amy are so comfortable in their married life that they borrow each other’s clothes. (Or that Rory knew Amy was waiting in the garden and lent her his coat to keep her warm.)
Or- the last time Amy wore a blanket like that was at the Byzantium, the first time she met River, and where River has just come from.

And the last time either Pond wore that red jacket (yay! more red!) was during Let’s Kill Hitler, when River met River, so to speak. So a lot of the Ponds’ journey is summed up neatly in that one outfit of Amy’s. More on that scene in a sec!
Amy and Melody
Amy and River always had very similar red shoes (ha! Saw that before, weirdly enough!)

The episode after Amy discovers she’s River’s mother, she’s dressed up quite similar to her, all in denim:

And of course in The Wedding Of River Song, the pair are dressed almost alike, both in black (of course, both have good reason to mourn…)

And at the end of The Wedding Of River Song- a few years in River’s future- they’re wearing the same beige colour. Mother and daughter!

Edit 24/2/12: Ah! The trend’s being carried on into Series Seven! Matching stripes!

The second part (there’s more to come, too!) of Analysing The Ponds. This time, we’re looking in the bedrooms and houses of Amy and co. The set designers did a really good job here, as you soon will see…
The Nursery

Here’s the nursery Amy and Rory made for their unborn baby in Amy’s Choice. We know now that that child would have been River…
I talked about colours before– Amy and Rory are red, the Doctor is blue. I think River is yellow, the same colour as her hair. (The rest of Amy and Rory’s house in Amy’s Choice, what little we see of it, is mostly yellow too.) What else is there in the nursery?
Horses:


A space poster on the wall:


And a picture of her parents:


(That makes me sad.)
Poor Melody, of course, doesn’t grow up in that yellow room- she has an orphanage instead. Look what’s in her room there-


A mobile very similar to the Doctor’s first stars. River and the Doctor slept under almost the same starscape. Who made Melody that mobile? Did she make it herself? Guess we’ll never know.
Melody’s room isn’t too bad, considering it was where a bunch of nasty aliens put her. She does at least have toys and light. And interestingly, her room seems like a mixture of yellow, blue and red…


This picture on the wall is quite reminisent of Amy herself, a beautiful woman with red hair and long legs.

Melody has a clock, of course, she’s a child of time. And the clock’s blue and red, no less.
And this is interesting, very much so! Probably a coincedence, but:

An early clue as to the identity of the girl? If only I’d discovered this before A Good Man Goes To War…
Edit: And then there’s this!

And, I can’t believe how I didn’t notice this before! The mobile in the nursery is all water related things- a fish, a lighthouse, a life-ring…

Amy’s Room
Now, Amy’s room is fascinating, and it says a lot about her. It’s covered in photos and drawings, because Amy is a very creative person-

As seen in Let’s Kill Hitler, her room has always been that-

Amy’s room has a lot of flowers in it. Interesting for someone who later makes a career out of scent. And, as I mentioned in part one, Amy is associated with flowers a lot…

One of Amy’s drawings looks quite a lot like a woman in a wedding dress:

The design of Amy’s room says a lot about her sexual side too. Her bed has fairy lights around it (any takers on the symbolism of the fairy lights? A sign of her childlike outlook?), it’s a double bed, and it’s the center of the room.

And above her bed is a drawing of what seems to be the legs of a naked woman. Here’s a better look at it, from Confidential:

It’s a really interesting picture, because it presents a female body but not in a sexual sense. I’m guessing we’re meant to think Amy drew this- it looks like her style. I really love that it’s there.
And lastly, Amy’s room is blue, like the TARDIS. Her room niftily sums up almost everything about her: her love of art, her obsession with the Doctor (there’s still Doctor dolls dotted all over the place), and her appreciation of her body and sex.
Rory’s room

We don’t see anything of Rory’s room (well, his bathroom…) other than it appears to be the same colour as Amy’s room. They’re a perfect match.
The Pond House #1

Just like in Amy’s room, flowers are everywhere in the Pond house. And art is everywhere- look at that wall. You can make out the photo of Amy and Rory at the fancy dress party (as seen in The Pandorica Opens) too.

This is my favourite shot of the Pond house. You can see a tapestry on the wall (there’s an art form older than Rory himself, and it’s in Rory’s Roman colours, red and gold), there are flowers- and there are sunflowers! Amy’s favourite flower, surely, and a souvenier of her friendship with Vincent. And- at the top-right…there’s a statue of a soldier and a woman. A Roman centurion statue, to be exact, by the looks of things. I really like that.

In the wide shot we can see a photo of Amy and Rory (in the top right) and more flowers. Interestingly, the room is painted red and there’s not much blue. A sign that it’s more Rory’s than Amys?
The Pond House #2

Obviously, the first thing anyone will notice about the new Pond home is that it has a TARDIS blue door. And its exterior is the same colour as Amy’s room, and it’s surrounded by flowers- the house is very much for Amy, while Rory has the red car. Which is, interestingly, a link to the daughter he never got to even hold, she had a red car too:

I love the similarity between those two shots…
Amy’s been associated with life and gardens, and here she is in a garden teeming, almost overflowing, with plant life. Amy the creator has a lot more to give:

Oh, and the fairy lights have moved from the bed to the garden…back where they belong, maybe?

Through the window behind River, there’s more flowers…

The wall is the colour of Amy’s room- blue. And there’s art on the wall. This is her house. And- I LOVE this detail- it says ‘Home’ on the wall, with four hooks for coats: one each for Amy, Rory, River, and the Doctor. The most significant sign of a happy ending, I feel.
Edit 24/2/12: I think I oughta mention…
The Library Room
At the end of Silence In The Library, River reads to ‘her’ children in this bedroom…

Which is a mixture of yellows, blues and pinkish-reds- and it’s oddly reminiscent of Amy’s room. Quite a fitting place for River to live on.
Tune in tomorrow (or maybe the day after…) for more!
After reading many LJ entries full of very good meta, and stumbling across this fabulous thread on Gallifrey Base, I thought I’d try my hand at my own analysis!
As you could’ve very easily guessed just from a glance at this journal, most of it will be centered on the Ponds- Amy and Rory, and sometimes River. Today’s Amy’s turn. So this is a chaotic and haphazard look at Amy’s personality, her role in the story, and the things she’s associated with. Okay? Okay! It does contain a minor spoiler for Series Seven, by the way.
Tomorrow (weather permitting) is A Tour Around The Pond Properties, looking at the set design of the Ponds’ bedrooms and houses…
All Children Grow Up

Here we have Amy floating in the sky, safe with her imaginary friend- just like that other girl who flew. The parallels between Amy Pond and Wendy Darling – both women who fled for adventure before the day came when they grew up- are made explicit in a deleted scene from The Beast Below (see The Eleventh Doctor Companion Volume One):
AMY: My aunt says your wedding day’s the day you grow up.
The name Amy means ‘beloved’- not far from ‘darling’. Like Wendy before her, Amy flies away with a boy who won’t grow up, meeting mermaids and pirates…and lost children. Like Wendy before her, Amy grows to leave the nursery and accept the adult world. In marrying Rory she is given the best of both worlds, and even though she’s left the TARDIS now the Doctor and adventure (we know she’s getting back on the TARDIS- thanks, spoilery press releases!) are still in her life.
The Temptation Of Amy Pond

This is a story as old as time: a woman is tempted by an apple. The apple in this case is not just an apple, however- it’s associated with Amy’s mother, and so associated with motherhood:
AMELIA: I used to hate apples, so my mum put faces on them.
DOCTOR: She sounds good, your mum.
– and of course it harks back to Amy’s first meeting of the Doctor. It’s a symbol of both a mother’s love and a Time Lord’s life. Two things that will later form the core of Amelia’s journey, all there in the apple.
And at her wedding, look what necklace she’s wearing. It’s hard to see, but it looks like an apple. (Amy is actually associated with plant life quite a lot, I realised, but more on that later.)

The Doctor said in The God Complex that he tempted people. It seems he did, with Amy. She took the apple and she kept it…
Amy’s great fear
We learned in The God Complex that Amy still fears abandonment. She fears being the little girl left behind with nothing- it’s happened to her so many times: The Eleventh Hour and The Girl Who Waited. It’s not even fear of being left behind by the Doctor (if it was, that would make his later action pretty callous) just fear of being alone, hopeless and helpless. Or that’s how I see it…I hope I’m right…see here for more!
Amy was seven at the age her Doctor abandoned her, and her terror lurks in Room 7- but something escaped from there, the last time we saw a Room 7:


Rory is the one person Amy knows won’t abandon her. “Rory wouldn’t, not ever.”
Red and Blue
Amy is associated with red from the beginning of her story- red hair, red cardigan. And the name Rory means ‘red’. (I love that detail.) The Doctor is, as he’s always been, associated with blue. Blue box, blue shirt, blue bow tie. (Rory does make his first appearence dressed in blue- maybe to hint that Amy is currently using him to replace the Doctor?) It’s almost like Amy’s choice is between her red man and her blue man, and in the end she picks Rory- he’s been her colour all along, he’s the one for her. But she still uses the old rhyme about something blue to save the Doctor. Amy Pond can have all the colours she wishes- she can save both her boys. And then there’s the Red Waterfall- of course Amy presses the red button…

The waters, and the gardens
And of course, a waterfall is water that runs wild and free, and also has the potential to destroy. (Rory, on the other hand, presses the green anchor- he is the thing that anchors both Pond women, and the Doctor.)
Amy’s been associated with water since the beginning, of course. She’s a Pond! And I always thought that the “duckpond” conversation in The Eleventh Hour meant something, although I haven’t quite worked out what, yet. A duckpond with no ducks = Amy as she is at that time? No-one to depend on her, no-one for her to look after, to save…maybe it means that a piece of her personality is still missing at that time? I don’t know.
Water brings life- Amy’s associated a heck of a lot with life, birth (obviously) and nature. And water itself, of course. Her first journey in the TARDIS has her saving a Star Whale, and fish people are the enemy in Vampires Of Venice. Heck, the last time we saw her she was holding a water pistol… (Maybe a sign that since she’s killed someone now, she no longer wants to use an actual weapon…)
Anyway, then there’s the fact that Amy’s around flowers quite a lot. In Amy’s Choice, a total dream world, as well…”I’ve crushed your flowers.”/”Oh, Amy will kill you.” Her bedroom and her house are packed with flowers too (see?). Look at her surrounded by sunflowers!

Flowers…interesting that later on she makes a business out of scent, right?
Sex!!
The other thing about flowers is: they’re often used in art to represent female fertility. Which made me consider that a lot of Amy’s character is bound up in sex– she starts off as a kissogram, she’s perfectly comfortable with the idea, there’s a drawing of a naked woman on her wall, she happily wears skirts that show her body off (and she should if she wishes to!)-
In The Girl Who Waited, there’s sexual images everywhere- naked statues, a red waterfall that’s almost symbolic of menstrual flow- I don’t actually know what it all means, to be honest. Maybe to say that Amy, regardless of her age (and contrary, kinda, to what society says about older women) will always be a sexual creature? Yeah, I like that…
The Life And Death Of Amy Pond
Amy is definitely Life to Rory and the Doctor’s Death. Her memories have saved them both- her memory is even part of the means of saving Rory in The Curse Of The Black Spot, since she had to remember what he told her. She can channel her creativity (see: her drawings!) and she is the creator to the Doctor’s destroyer- see this little essay (written before Let’s Kill Hitler) for more. The Doctor killed River (well, sort of); Amy gave birth to her. Rory was close to death: Amy brought him back. The Doctor was erased from existence: Amy remembered him back into being (Weirdly enough…she is almost the Doctor’s mother in a symbolic sense. She rebirthed him!). Amy frequently saves things using her ability to love, too- her love for her imaginary friend led her to look at the Star Whale differently, she knew beyond all doubt that love would save a dying cyber-human, and her love for her husband (and her desire for her younger self to know that love) leads her to sacrifice herself for them in The Girl Who Waited.
The only time she destroys something (well, I did say a waterfall has the potential to destroy) is when she kills Kovarian and the Silence, but that was to protect Rory and avenge her daughter- the lives that were taken or almost taken from her- and even that is undone when Time restarts. I hope Amy’s act of killing is addressed in the next series, I really do…
The Woman Who Waited
When Amy is asked by the Interface in The Girl Who Waited where she would like to go, Amy chooses the Garden. So far, she’s always doomed to wait in a garden-

But significantly, the last time this happens, the person she’s waiting for actually arrives when she expects them to, and doesn’t let her down-

At last, the couple who waited have someone who won’t make them wait.