

Is that a parallel between Enjolras and Thenardier?






“It was a man: Enjolras. Grantaire admired, loved, and venerated Enjolras. In what manner had Enjolras subjugated him? By his ideas? No. By his character. […] A sceptic who adheres to a believer is as simple as the law of complementary colors. That which we lack attracts us. […] He had need of Enjolras. That chaste, healthy, firm, upright, hard, candid nature charmed him, without his being clearly aware of it, and without the idea of explaining it to himself having occurred to him. He admired his opposite by instinct.”
This is based on a long-ago prompt from Sclez! I hope it’s okay…
Title: The Drowning Man and the Candle
Rating: R (pun not intended)
Fandom: Les Miserables (bookverse)
Warnings: Grantaire being Grantaire (but I think the tone of this is…bordering on the optimistic? I don’t know.)
Summary: Combeferre and Courfeyrac try, in as kind a way as possible, to turn Grantaire away from Enjolras.
Friends, the present hour in which I am addressing you, is a gloomy hour; but these are terrible purchases of the future. A revolution is a toll. Oh! the human race will be delivered, raised up, consoled! We affirm it on this barrier. Whence should proceed that cry of love, if not from the heights of sacrifice? Oh my brothers, this is the point of junction, of those who think and of those who suffer; this barricade is not made of paving-stones, nor of joists, nor of bits of iron; it is made of two heaps, a heap of ideas, and a heap of woes. Here misery meets the ideal. The day embraces the night, and says to it: ‘I am about to die, and thou shalt be born again with me.’ From the embrace of all desolations faith leaps forth. Sufferings bring hither their agony and ideas their immortality. This agony and this immortality are about to join and constitute our death. Brothers, he who dies here dies in the radiance of the future, and we are entering a tomb all flooded with the dawn.
i’M CRYIng agAIN
This fucking book.




eight scenes: javert at the barricade (5/8)
“Shoot me now or shoot me later / Every schoolboy to his sport”
#javert held up his head with the intrepid serenity of the man who has never lied #surrounded by one man whose heart is too full to lie#who has too much dignity to do so #and another man whose heart burns for justice #who deals it out only moments later in the book and willingly damns himself in the process #and yet one more man whose lies are wrapped inside others and harm only himself #his heart is too full as well with a weight he accepts even when he doesn’t understand it #lightened only in the presence of its cause #all four men can see their ends right here in this moment#and accepts it in his own way #javert smugly and with a challenge he’ll soon be shocked to see unmet #combeferre with a resignation that he will have earned his death here but his dreams will live on and come true all the sooner #enjolras with impatience and his blood at a simmer he’s desired for so long #and grantaire who would sooner follow the others to their ends than exist in a world without them #three will offer the protest of corpses #the other will protest only his survival #from the heavy embrace of all desolations springs faith #faith that soothes and affirms #faith that burns and drives #faith that comforts and overwhelms all those protective lies #faith that cannot conquer a heart that will not let it survive
(via maraschinocheri)
So, as has been abundantly clear over the past few weeks, my life has been consumed by Les Miserables. Again. This story, in both book and musical forms, has occupied a huge space in my heart since I was 10 years old. For reference, I’m turning 24 in two days. I’ve spent a lot of time with this story.
A lot (read: all) of the characters are extremely important to me, and I’ll probably wind up writing about many of them. But I wanted to talk about Grantaire (she said to the surprise of literally no one in the world). The earliest memory I have of neglecting the rest of my life to think thinky thoughts about Grantaire is of zoning out completely in eighth grade English class, so when I was 13 or 14. So I’ve had a decade to sort out my feelings, and this is what I’ve come up with.
The thing that has always captured me about this character, who is so vastly different from basically any other favorite character I have, is the way Hugo uses him to portray cynicism as a trap. It’s extremely easy to fall into (because let’s face it, there are a lot of horribly messed up things in this world), and desperately difficult to climb out of. After all, once you convince yourself that the world sucks – that people suck – how can you ever believe anything else? You’ll always be able to talk yourself out of whatever hope may arise. The cynic hurls himself to the bottom of the well, and then convinces himself that any ladder lowered down to him is bound to give way.
But that’s no way to live, and we can’t help but resist it – even if we find ourselves at the bottom of the well. Hugo beautifully outlines the contradiction of Grantaire: he has given up on humanity, but he cares for his friends. He can’t believe in anything – except Enjolras. By virtue of being human, the very thing he detests, he proves himself wrong. We’re never as bad as we think we are.
As a philosophy, “we’re never as bad as we think we are” doesn’t seem too inspiring at face value. But sometimes, that’s what you need to hold onto. My brain chemistry didn’t start causing real problems for me until quite a few years after my first intense ruminations on Grantaire. But when it did, my thoughts latched onto very serious real world problems. It was – and sometimes still is – very, very difficult to separate which fears were rational and which weren’t. Though I didn’t choose to be there, I found myself at the bottom of the well, convinced that people would not be able to make the world better.
But I knew that wasn’t me. I knew I wasn’t Hugo’s cynic. Hugo’s cynic wasn’t even that person, not in the end. I couldn’t always feel my real self, but I knew she was somewhere in the shadows of the well, waiting with an unbroken ladder and a heartfelt cry of “Long live the Republic!” I found conviction in affection, just like Hugo said. I have so many people to love in my life, and from that, I have held onto loving – and believing in – the world. Everyone is someone’s Enjolras, and I believe we can act like it. Essentially, I believe in what Grantaire believed in, but I’m just trying to apply it on a broader scale than he was able to.
I can’t be Enjolras all the time. Not many people can. I also don’t think I’d want to. But what I can try to be is the grasped hands, the permission, the smile. The meeting of fiery passion and tender devotion. You can’t separate The People from individual persons. By fighting for and loving both, I believe in change. I believe in anything.
I believe in you.
why do all the fics i see inspired by ‘i will follow you into the dark’ involve modern au grantaire sitting around in his boxer shorts playing it on guitar to enjolras and not
like
enjolras and grantaire as exhausted, bullet riddled and blood spattered ~spirits~ being turned away from the gates of both heaven and hell and forced into purgatory but like its okay because they’ve got each other bro
(and uh the gates of heaven i see as being guarded by sphinxes replete with Actual Noses which illuminate to indicate whether or not any given soul is welcome into heaven but ymmv igss js js).
or wait FUCK maybe it is just enjolras who is condemned to purgatory because lol he died nobly but also, y’know, killed cabuc etc along the way and grantaire literally gives up his place in heaven (which he earned due to his utterly legitimately innocent and selfless sacrifice) to follow enjolras into purgatory. and there is literally another do you permit it scene and more tender smiles and pressed hands and adsfdfnsdfp
i have no theoretical objection to modern aus but dude there’s a whole happysad mine waiting to be tapped from the content of the actual lyrics so what gives
Well if it isn’t the most perfect/tragic/heartbreaking post I’ve read today