A show that’s been in the background of my life for almost a decade, oh man. I remember when it first came into my life via Tumblr, there were constant gifs of it and people singing its praises relentlessly. I thought it sounded worth a watch and turns out I was very right.
It’s sad to see it end. But it got a great wrap-up where everyone got to say and do exactly what they needed, AND we finally got to see that dang tattoo. So long, show. Forever a 99/10.
Turns out there’s just about to be a French-Canadian version of Brooklyn 99! Almost shot-for-shot and all.
I stumbled across tweets about this yesterday, the same day the last episode of Red Dwarf: The First Three Million Years aired and discussed the extremely ill-advised American version of Red Dwarf. You know, the one where they whitewashed everybody Last Airbender-style. (Craig Charles has some thoughts on it. Thankfully it never made it past the pilot stage.) So gah, my very first, pre-actually-watching-it reaction to this was “See America, it’s not so fun when someone else remakes your show, is it?!” But that’s probably unfair, especially since this version is whitewashed too, what with Amy and Rosa no longer being Latina. SO I would frankly prefer no more remakes or adaptions of this kind please, ever again.
This wasn’t a bad episode by any stretch of the imagination! I mean, with the way it ended how could it be? But…
The same episode which calls Madeline Wuntch, among other things, a “toilet ghost” is much too nice to her. Holt shouldn’t have given that sweet speech at the funeral, because Wuntch sexually assaulted him! This show has done a whole episode about sexual assault and yet Wuntch’s actions just remain completely forgotten about.
There was that unwanted kiss (ick) there was the time she patted him down for a wire and was clearly enjoying the sexual humiliation of it all…
Brooklyn 99 is a really good show so I never understood why they’re so inconsistent about this. (Gina could also be brought up around here, but hooo boy that’s a whole nother post.) Wuntch wasn’t Holt’s “star-crossed hater.” She was his abuser.
To celebrate the occasion, here’s some of my favourite ladies from fiction!
Row 1: Amy Pond (Doctor Who), Sephy Hadley (Noughts and Crosses), Gamora (Guardians of the Galaxy/MCU), Rose Tico (Star Wars), Elsa (Frozen/Disney), Melissa Chartres (The Last Man on Earth)
Row 2: Eowyn (The Lord of the Rings/Middle Earth), Quinn Ergon (Final Space), The Thirteenth Doctor (Doctor Who), Princess Bubblegum (Adventure Time), Jane Foster (Thor/MCU), Amy Santiago (Brooklyn 99)
Row 3: Brook Soso (Orange is the New Black), Nebula (Guardians of the Galaxy/MCU), Erica Dundee (The Last Man on Earth), Kitty Winter (Sherlock Holmes), Rose Tyler (Doctor Who), Briony Tallis (Atonement)
Row 4: Meredith Quill (Guardians of the Galaxy/MCU), Missandei (Game of Thrones), Rey (Star Wars), Donna Noble (Doctor Who), Carol Pilbasian (The Last Man on Earth), Esmeralda (The Hunchback of Notre Dame/Disney)
Row 5: Sansa Stark (Game of Thrones), Ash Graven (Final Space), Tiana (The Princess and the Frog/Disney), Sophia Burset (Orange is the New Black), Misty (Pokemon), Clara Oswald (Doctor Who)
Row 6: Bill Potts (Doctor Who), Mary Brown (Paddington), Mako Mori (Pacific Rim), Gwen Stacy (Spider-Man), Jackie Tyler (Doctor Who), Ursula Ditkovich (Spider-Man)
Row 7: Yaz Khan (Doctor Who), Mary Jane Watson (Spider-Man), Marceline (Adventure Time), Michelle (10 Cloverfield Lane,), Natasha Romanoff (Black Widow/MCU), Mantis (Guardians of the Galaxy (MCU)
Warning: The following contains spoilers about Thursday’s episode of Brooklyn Nine-Nine. That sound you hear is the collective heart of the Brooklyn Nine-Nine fandom breaking into a million tiny pieces for Jake and Amy. In Season 7’s sixth installment, we watched as the series’ central couple tried and tried and tried to get pregnant over…
Continuing on from my favourite films of the decade, here’s my favourite (not necessarily best) TV shows! Alphabetically, of course, and illustrated with gifs.
Honestly Adventure Time is a masterpiece. A surrealist masterpiece, an animation masterpiece, a masterpiece of children’s television… call it whatever you want but “masterpiece” needs to be in there somewhere. It was weird, touching, occasionally terrifying, and never lost sight of what it wanted to do…for nine years. I’m sad that it’s (mostly) over but so, so glad it happened.
Come 2013 I was suddenly seeing this show everywhere. I knew the names of all the characters before I ever sat down to watch it, and most of the best jokes. That didn’t dent my enjoyment in the slightest. Brooklyn 99 is so, so good in just about every way. It’s funny, it’s smart, it has people in it who you just don’t see as main characters, like Captain Holt. The fact that Fox *spits* cancelled it and then it was almost immediately picked up by NBC just goes to show how much of a impact it had.
Call the Midwife
Call the Midwife has only been going since 2012 but it feels like it’s been so much longer. (That’s a good thing.) This is a pro-NHS, pro-feminism, pro-LGBT show that goes out prime-time on the BBC and I’m so grateful it exists. It never shies away from the rough parts of history, but instead pulls them out into the light to remind us of our responsibilities. It angers me no end that critics sometimes dismiss this show as frivolous nostalgia for the past, because there is nothing nostalgic about this show. It DESPERATELY wants you to know how horrible it was being a woman even within living memory. It’s a sucker punch to the gut with occasional upbeat ’50s music and some neat dresses.
All the praise to Netflix, because if it hadn’t existed and advertised this show on its front page I would never have discovered it. And I love it. This is an adult cartoon done right, i.e. using animation to tell a story of vast scope instead of using it to tell fart jokes. (Though there are probably a couple of those, even if I don’t remember them.) It’s like… how can I even describe this show… the ambition of Star Wars meets the themes of Guardians of the Galaxy meets the zest of Futurama. AND it has a adorable squishy space pet/planet-destroyer! This show not having a much bigger fanbase is such a dang injustice.
I’d heard of Gravity Falls, and heard nothing but good things, but I didn’t actually see it until several years after it came out. And I’m SO CROSS because the show was set up as a big mad mystery to be solved, and it would have been great to be able to trade theories and decode the end messages along with everyone else. But as it stands… I got a fantastic experience anyway. I knew all the major twists, but I’d never really met the characters properly. So now I love them all, especially Soos. And I also love the show’s central theme, which is that growing up is hard as hell and you need a good support system.
The Handmaid’s Tale
The Handmaid’s Tale has always been one of my favourite books and this adaptation was more than I could ever have dreamed of. It took characters I already knew and built them backstories and new futures. It cast unbelievably talented actors for even the smaller roles. And my god the visuals, the punch-you-in-the-face visuals. The red-and-white Handmaid uniforms are seen at political protests a lot now, and they should be. This show demonstrates how unforgivably close we always are to losing everything we hold dear.
His Dark Materials
I read all of the His Dark Materials series as a kid and I remember liking them, especially the third book. This TV adaptation brought all of that crashing back and then some. I have some qualms (it’s obvious that the budget couldn’t stretch to one visible daemon for every human, for example) but my gosh, what an absolutely beautiful job they’ve done with everything else. And the acting is wonderful, although Ruth Wilson is the standout the child actors are like… clearly the best in the business, holy hell. I can’t WAIT for the next couple of seasons.
The Last Man On Earth
The Last Man on Earth massively lit up my life… for the few years it was on. My god, Fox had no idea what they had on their hands. After the dodgy first season it suddenly turned into this amazing, beautiful, touching tale about life after the end of the world. Characters underwent development! They got married! They had kids! And then all of a sudden… end of show. Right after a cliffhanger ending, a major one. Sigh. I’ll always miss LMOE but I’m grateful I was around at the same time it was.
I’d wanted to watch Superstore for ages but I only finally got to see it when it came on British TV. And even then I managed to catch only the season one finale before anything else. But it hooked me instantly and I quickly went back to the beginning to see what I missed and then forward again to season two. By the season two finale I had utterly fallen in love with it. It’s hilarious but it pulls no punches about how inhumanly terrible the American retail systems are – how inhumanly terrible a lot of systems are, in fact. Also, Mark McKinney’s “Muppet voice” for Glenn is possibly the best comedy voice that has ever been created, EVER.
This show. Rarely have I seen anything so bleak and depressing and yet so triumphant at the end. Marie, who is very VERY closely based on a real person, goes through an amount of trauma and distress which would destroy most people (and very nearly destroys her) but she gets to walk away vindicated, thank god. The intervention of two female detectives saves not only her but a multitude of other women. It seems to me to be so rare that such a terrible story has a happy or just ending, so thank god this show arrived with its pointed message: when it comes to rape cases, we need to be better. So, so much better than we currently are. Please watch it.
Honourable mentions: The Good Place, Steven Universe, the Moffat and Chibnall eras of Doctor Who (not eligible because the show itself started last decade…), Broadchurch, Orange is the New Black, and probably a few more that I forgot, sorry.