mad max fury road

fenrir-kin:

amuseoffyre:

theblanknotebook:

bookishandi:

oolax:

How to: break my heart. A tutorial by Mad Max: Fury Road

Let’s talk about this scene a little, because I noticed a particular detail in my last viewing that’s had me buzzing and buzzing crying a lot.

Let’s start with the obvious: the whole film Nux has wanted to establish his life has some meaning by dying “historic on the Fury Road.” Of course, all his previous efforts were attempts to continue things the way they were–in Immortal Joe’s terms. Thus, those deaths would not have really been historic. They would have been forgotten, just another blip in the status quo. In crashing the rig and allowing the wives to return to the Citadel, Nux does in fact fulfill his wish to die historic–without his actions, the wives likely would not have been able to return to the city and enact the changes they inevitably do. His death matters in a way none of the other deaths in the film do–it matters to changing the future, and thus becomes an important part of the future Citadel’s history.

Nux only knows how to do that in his own terms, though–the terms of the War Boys. Thus, his death only gains significance if it is witnessed. For Nux, the action itself is not as important as it being seen and acknowledged. This makes a lot of sense in terms of Immortal Joe’s world and its patriarchal structure. Individuals are not important, actions don’t matter unless they are showy and seen–all life boils down not to meaningful actions but to showing off.

But here’s why this film is a feminist masterpiece, and why this scene in particular cements that: Capable’s reaction.

Capable does witness him. She locks eyes and acknowledges the significance of his action, of his inevitable death. But she doesn’t respond like one of the War Boys–when the War Boys die asking to be witnessed, the others respond yelling “Witnessed!” This answer does say, “I have seen your action, it matters,” but hollered with usual the War Boy bravado, it also acts as an attempt for the witnessing War Boys to build up their own importance by making themselves part of the action.

Capable does not yell “Witnessed.” She responds with a gesture–holding her hand out and pulling it toward her heart. This is the Vuvalini’s gesture of mourning–a beautiful gesture that essentially mimics pulling the lost soul into one’s own heart. Capable has only just learned this gesture, but she seems to innately understand its significance. Thus, while she witnesses Nux’s death, she refuses to “witness” him in the sense of the War Boys and instead mourns him in the manner of the Vuvalini. Nux likely sees this–the editing implies he doesn’t turn the rig until after he’s seen the gesture. Thus, he knows he is witnessed, but more importantly, he knows that he will be mourned and remembered. With that knowledge, he finally has the strength and the worthy reason to sacrifice his life for a cause that matters.

This moment is also the moment Immortal Joe’s power is officially broken. Yes, Joe is dead, but Rictus and a whole gang of War Boys and their ilk are photon their wheels, ready to re-establish the status quo. In many ways it is a transfer of power–the last call to witness leads to the first time the Wives truly embrace the culture and ideology of the Vuvalini as their guiding principle. Joe’s power is broken not so much by the explosion–though that is certainly the blunt force that finishes the deal. Joe’s power is broken by self sacrifice–a self-sacrifice born not of bravado or the hope of becoming a legend, but one born of community, of love, of hope. Capable’s response guarantees that Nux’s sacrifice will be honored and remembered, but in a new way in their new world.

blue–green

I’m having emotions over the simple, quiet way he reaches out a hand towards her, and say “Witness me”. Every other time that line has been said, it’s been all cock-swinging showman testosterone. It has been screamed and bellowed and roared in pain and fury and violence.

And here, this lost War Boy looks into the eyes of the first person who spoke to him with kindness and compassion, and she is the only person he cares about in this moment: she is the only person he wants to witness him, because she is the most important person to him.

And her response could not be more perfect.

Goddamnit I’m crying again

War Boy names: big vs smol

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bassfanimation:

You know what, what if War Boys were like the Vuvalini in that they have a given name when they are small, but then they get to choose their own warrior, or ‘grown up’ name when they come of age?  Just a thought, as I’ve seen people discuss this regarding The Valkyrie and Furiosa, Keeper, etc.  

Imagine little War Pups with names like…”Buttons”…growing up to become “Fleshgrinder” or something.  A little War Pup with two missing legs called Spokes, but when he chooses his name as ‘big boy’ he becomes “Blood Chariot”… 

 I just like to think about young, excited boys thinking about naming themselves after incredibly hilarious things to try and outdo each other on the battlefield.  Older War Boys have to rein them in a bit.  

“No, Zipper, you can’t call yourself Shit Blood Bastard: Ripper of Valhalla.”  

“But whyyyyyyy????”

“No.”

“Whuaaaahhhhh!!!!”

“Still no.”

OK but I think there are actually THREE names. I was plotting out a bit for The Mountains Are The Same and ended up with this:

The first name is the name their mother gives them when they’re born and that they keep while they live in the breeders’ quarters. (No way are Warboys nursemaiding when there are women around who are birthing all these kids and can nurse & take care of tiny kiddies.) The names are beautiful and rooted in the myths and oral history the women tell each other. Names like Berai and Damarwulan.

Then when they are strong enough – usually when they’re about six, but the deciding factor is a strength test – the War Boys take them from their mothers and paint them white and tell them to forget their baby names. They call them things like Spot and Howl and Wrench and Sump. The Warboys are not creative with names, they just take the first vague descriptive or association and go with it.

Then when Pups earns their grease and become Warboys, they get to choose their own names. Wrench probably sticks with what he’s got, but Spot becomes The Hammer and Howl becomes Roar and Sump becomes Slit…

(When Furiosa and the Sisters take over, the breeders are finally free to walk around, and they wade into the pups calling their old names, seeking their children under the paint)

youkaiyume:

LONG POST!

I heard there was a Hogwarts/Mad Max AU floating around? 

Here’s my two cents for that. *throws* This is what happens when I decide to marathon the HP movies over the week and also have a “Little Witch Academia” anime poster in front of my work space.

*lies down* I have spent too much energy and time on this.

do u think that when the wives returned they had some sort of memorial/funeral for angharad? what was that like?

kinkygreyjoys:

Okay first of all how dare you

I don’t think they had a funeral or memorial the way we would have one today. They were given very little time to mourn after her death, and when they return to the Citadel they have so much work to do. So I don’t think they stop to have a service or anything like that.

But I do think they remember her in other, smaller way. More and more of the Citadel’s inhabitants start referring to bullets as “anti-seeds”. “We are not things” and “Who killed the world?” become common phrases, almost benedictions.

Most importantly, I think the War Boys need a new god to turn to. Immortan Joe wasn’t so immortan, and now there are four sisters and an imperator in his place, so they start to see the women as…not necessarily deities, but sacred, in a sense. And I think they quickly come to replace the idea of riding alongside Immortan Joe on the highways of Valhalla with wandering the gardens of the Green Place with the Mother, the Splendid Angharad. I touched upon this a little in “where must we go?”, but I really think Cheedo and Dag encourage this.

So it’s not in a big “this is our goodbye” sort of way, it’s more of a “this is how we keep you with us”.

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the-poisonivyz-deactivated20150:

[Max] is a crazy smeg who eats schlanger!

I love Dag and I want to talk about those boots. Like, did she steal them from a war boy before they left? I love how she clunks around in like they’re too big or she’s just not used to them, and I really enjoy how they make her motions and her body language non-sexual. She doesn’t look sexy, despite what she’s wearing, she looks gangly and a bit awkward and like she might not know for sure how to tear out your throat, but she’s willing to learn on the job