fandom

Does anyone remember this post?

Hey. You know who did like the Star Wars prequels?

Teenage girls.

I can tell you this because I was one of those teenage
girls. For quite a long portion of my adolescence I lived, breathed and
loved Star Wars, and it wasn’t always an easy experience. It was a very
male-dominated fandom, probably still is, but we carved out spaces of
our own…..

Well, Star Wars is in the media even more now and I want in! So I’m going to be rewriting that (badly written) original post for Newshub – a whole article about teenage girls and their participation in Star Wars Prequel fandom. Y’know, something to counteract the constant “Male Comedian Absent From TV As Of Late Denounces Star Wars Prequels” articles that’re everywhere.

But I need participation! Like there was on the original post. I want your stories, teenage and ex-teenage girls of the Tumblr Star Wars fandom. Tell me how you bought the sticker albums and t-shirts, tell me about your first cosplay, tell me what it was like navigating theforce.net back in those days. (Actually, I know that one. But tell me anyway.) Tell me if you ever found any merchandise aimed at you. Definitely tell me about the fanfiction community at the time, I was there, but I still missed a lot. If you didn’t like the prequels but still have a good story about being female in the Star Wars fandom, tell me that story too! 

(Oh, and also tell me what name and URL you want to be used/linked to – I figure most people will want their Tumblr URLS, but let me know.)

As you may have guessed I can offer zero money to anyone, but I can offer a fun platform for people to talk about Star Wars. So there’s that. I can’t promise I’ll use all stories/quotes either, but I’ll try!

I’ve tagged some blogs/people I follow whom I suspect might be interested, but if you’re not you’re under no obligation to do anything, not even reblog! Don’t worry!

Okay! Thanks for reading, and you can contact me via my askbox too if you like.

ofhouseadama:

A brief history of fandom, for those on here who somehow think tumblr invented fandom:

  • 1960s: with the advent of Star Trek, fandom moves into the public sphere for the first time with a television in almost every home, creating a large group of people all excited about one thing. Beforehand, fans mostly had relationships with the author, not with each other. Obviously there were groups and conventions prior to Star Trek, but many pop culture scholars agree that Star Trek was the beginning of an independent, interactive, saturated fandom culture centered on one show, and set many precedents for how many modern fandoms act. 
  • This means in the coming years: conventions, mailing groups (both public and private), fan magazines, and fanfiction presses. 
  • Yeah this pretty much remains the deal until the internet gets put into every home in the 90s. 
  • EXAMPLES OF BIG FUCKING DEAL FANDOMS, 90s EDITION: X-Files, Xena, Star Trek, Star Wars, ASoIaF, The West Wing, Buffy
  • So with the internet, this really cool thing happened: Geocities. And then Yahoo groups. Early fanfiction archives. Back in the day, fandoms had to create their own private spaces. This made fandoms on the internet smaller and less accessible than fanzine operated ones. However, since fans on the internet didn’t have to pass through an editorial board to publish their fic, it was the beginning of the democratization of fandom. 
  • USENET. Which will probably be confusing to anyone who wasn’t actually on Usenet during it’s height, but feel free to Google. 
  • In 1998, fanfiction.net was launched to compete with the hundreds of independent, fandom-oriented fanfiction archives. More democratization, although fanfiction was marketed on how many reviews one had. You had to, like today, “break into the market.“ 
  • In 1999, Livejournal was launched. Fans created communities and their own private journals which was like woah, we have our own places to store our own fic? And can cross-post them places? However, with Livejournal came a new incarnation of the internet-based BNF: big name fan. Since communities had moderators and posts could be friend or community locked, people could easily gain social capital. 
  • See also: Cassie Claire and misscribe
  • On the other hand, authors like George RR Martin get Livejournals. 
  • Around this time was also the rise of forums. Again, moderators had a lot of power, as did certain users who would rise to the position of moderator. People rapidly gained and lost power, causing quick turnover in these parts of fandom. 
  • In 2002, due to legal concerns, fanfiction.net bans NC-17 fanfiction. 
  • Adultfanfiction.net is created to fill the void. For years, 13 year olds would pretend to be 18 to enter. Including myself. 
  • In 2005, fanfiction.net, again due to legal concerns, bans “choose your own adventure” and songfics. 
  • In 2007, Archive of Our Own is launched to further democratize fandom in response to fanfiction.net’s and LJ’s new stringent rules, offering writers a cleaner format, kudos, hit counters, and bookmarks. However, many older fandoms have not made the move. 
  • In 2007, tumblr is launched. It would take until 2010 for it to reach saturation on the internet, meaning that most fandoms which lived and died pre-2010 exist(ed) on Geocities, Yahoo Groups, independent archives, ff.net, etc. 
  • In 2009, Geocities is taken offline. Thousands mourn because they never backed up really old fic that they liked. 
  • In 2012, most major broadcasting companies have caught on to the fact that tumblr has democratized fandom to a degree of anarchy and mob mentality, and utilize it, since tumblr is unmoderated. 

And that’s what you missed on FANDOM BEFORE TUMBLR, THANK YOU VERY MUCH. 

cloesy:

echeveria2:

some splatoon miiverse thoughts. 

i can just feel everything positive draining out of me when i see someone draw pedobear or sexualize callie/marie/girl squids. right! on! miiverse! where it shows up in inkopolis or on billboards. i hate it i hate it i hate it please report this kind of content please. 

even though my art blog is strictly for art,this is very important and I feel the same about these tweets SO MUCH. 

That second and third tweet is what happened to me in Pokemon fandom, a long time ago.

10 Reasons You’re Not Fit To Call Yourself A Doctor Who Fan

10 Reasons You’re Not Fit To Call Yourself A Doctor Who Fan

tillthenexttimedoctor:

lyricwritesprose:

scriptscribbles:

intimeofperil:

adititripathy:

Think you’re a true Doctor Who fan? Or d’you think you’ve got the makings of the worst Doctor Who fan? Find out on WhatCulture!

The entire concept of this list is shit.  It’s the picky, stupid sort of thing some people do to exclude others.  Take it from me, someone who’s engaged in every aspect of the Whoniverse:

have you seen an episode of DW, enjoyed it, and want more?  You’re a Who fan.

Only watch the show?  Still a Who fan.

Only pay attention to Classic/Big Finish or similar combination?  Still a Who fan.

Only watch New Who?  Congratulations, still a Who fan.

I don’t care if you ship something I can’t stand, or only watch the “cute” Doctors, or we differ on fave companions, or anything like that.  I love Doctor Who.  I’m a Who fan.  If you love it, in whatever form, you’re a fan too.

The person who made this list, and all of their ilk?  Also a Who fan, if a shitty human being.

I am increasingly filled with overwhelming irritation at WhatCulture’s articles in general. The recent Who articles I’ve seen have been irritating at the very least. I prefer to avoid the site.

Okay, against my better judgment, I actually went and looked at this article.  Shocker: it’s bullshit.  More than that, some of it is offensive bullshit.

For instance, their number one reason why people aren’t “real fans” is having a crush on the Doctor.  They also hate people who get too engaged in a ship.  Those are both specifically aimed at a common perception of How Women Do Fandom.

They also criticize people who hate companions, but mention only companions from RTD era and before, ignoring the fact that one of their writers wrote a piece that was highly negative towards Clara (although none too complimentary towards the other companions it mentioned, either).

The rest are, for the most part, just irritating completist stuff.  I could go on a rant about how expecting people to be able to access all kinds of media that Doctor Who has appeared in is actually ableist, but I think that’s stretching it.  And, frankly, the negativity towards “fangirling” is enough to make this article well worth avoiding.

(Please use donotlink to access if you have to read that… thing, no need to increase the popularity of that “article” any more.)

I think there’s another interesting thing to point out – that it absolutely ignores the idea of Doctor Who as a family show.

My sister is 10 years old, and I’m pretty sure she thinks it’s “just” a show. She pretty much skipped Nine except for two episodes, completely ignored the Tenth Doctor, and claimed the Eleventh Doctor firmly as her own. Her first question about any main character tends to be “Will he/she get married?”. The idea of watching 1960s television is out of the question (and in black and white, too! it might as well be 300 years ago and not 50)… and the audios clearly wouldn’t appeal to her, even if she somehow were able to understand them (wrong language). She has both a surprising memory for details, and yet often no recollection of major plot developments. Forget about Classic Who or the EA – she even dreads the Twelfth Doctor. Too old, too unattractive (10-year-olds are shallow, who knew). But I hate to break it to anyone; she’s a fan of Doctor Who. Her excitement speaks for itself.

If attempts at gatekeeping exclude an essential part of the audience completely – in this case, most children, often first-time viewers who the show particularly targets with every new season and special – then… well, it’s a piss poor attempt at gatekeeping. Which is probably a good thing. May your attempts at gatekeeping remain shitty in quality and obviously wrong.

some-stars:

nonasuch:

cesperanza:

tzikeh:

splix71:

lcn71:

jacquez45:

amireal2u:

The thing that always makes me feel OLD is when fandom specifically attributes some behavior or concept or misbehavior specifically to Tumblr Fandom and I’m like hey no, trust me, we were doing/talking/writing about/pr0ning about it way back in the old country when we sent binary smoke signals into the sky.

That’s WHY you sometimes run into incomprehensible warnings or weirdly prescient guesses about possible fandom behavior (Especially bad behavior). It’s because there’s a chunk of people who were around before tumblr and we’ve seen it before. Yeah it doesn’t always work out exactly the same, but let me tell you, the patterns repeat. All the time.

It’s also why a lot of older people will nope on out of certain things, like, HAHAHA I CAN TELL THAT WILL BE A BED OF GIANT WANK! I’m just going to be over here! 

Now I’m trying to remember when I posted my first story to USENET.  I mean, ‘zine fans, now that’s OLD, but I think I’ve now been in online fandom 20 years.

1995.

I HAVE been in online fandom for 20 years. And let me tell you; this has all happened before and it will all happen again.

16 years, and yep. Yep. Yep.

32 years in organized media fandom (bought my first zine in 1983 at Boskone); 28 of those years also online.

Yup.

I looked at the likes and laughed—HAI ALL YOU GUYS. LOLOL. *waves*  It’s like my fucking class picture down in there. :D

17 years. My oldest, most embarrassing message board posts can vote soon. I have literally been in fandom for more years than I haven’t– I was 12 the year I started watching Buffy.

i entered fandom in november 1996, when i watched “star trek: first contact.” i was twelve. i’ve been doing this for over eighteen years. i have seen empires rise and fall

on men in fandom

doctorscienceknowsfandom:

digitaldiscipline:

fozmeadows:

shinykari:

fozmeadows:

The point at which men feel compelled to make a separate, masculine fandom name for themselves, the better to differentiate themselves from other, presumably female fans inhabiting the same space, is the point at which they feel their gender to be not only relevant to their expression of fandom, but so important that it needs its own word, lest we confuse them with women.

The fact that men seem only to be interested in doing this on entering traditionally or predominantly female fandoms says a lot about the logic behind it. Where fans are presumed to be male, there’s no need to assert their maleness with a masculine name; where fans are presumed to be female, however, they strive to differentiate themselves, not only to void the risk of being mistaken for women, but to rebrand the actual property as being for men

If such men were genuinely interested in disproving gender binaries and the sort of sexist logic that tries to steer their tastes in other directions, as is sometimes claimed, they wouldn’t feel the need to establish that the thing they like has masculine properties, as though they couldn’t or wouldn’t like it otherwise. This isn’t like the oft-ignored female fans of comics and videogames asserting, rightly, that such things are for everyone, which category happens to include them; it’s men expressly stating that an originally or traditionally feminine property isn’t really feminine, the better to make it for men.   

Following this logic, female-dominated fandoms are only worth joining if men can make absolutely sure that their support isn’t confused with female support, or their interests with female interests, the better to assert their more selective ownership of the property. Crucially, this move also has the effect of forcing women to either accept the gendering of the fandom and adopt their own, feminine nomenclature – possibly one the men themselves have created, heedless of the fact that it was irrelevant prior to their insistence that it wasn’t, as per the term pegasister – or to refuse the binary and so have the male term become synonymous with the fandom as a whole, as though male interest is the only kind that matters.

tl;dr: If you’re a guy and your first thought on approaching a new fandom is “how do I make a name that describes my interest in this thing while letting everyone know that I’m a dude”, then do us all a favour and stay the fuck out of it.

imageimage

conceivablyanyone said in tags: #I think about this all the time  #it’s like guyliner or bromance  #why is masculinity so fragile that simply being associated with something that girls like is a huge threat to it  

I have an answer to this:

While English isn’t a gendered language in the sense of having a gendered grammar, like Spanish or German, we nonetheless have many words that possess both masculine and feminine forms, like actor and actress, author and authoress. Often in these instances, the masculine form of a word is synonymous with its neutral, default or original form, in keeping with the fact that feminine variants were later linguistic additions; often made, it must be said, not just because women had started doing a thing they’d previously been prevented from doing, but because men at the time wanted to establish that female efforts at the same pursuits were different (and likely inferior) to their own. 

Thus: women aren’t actors, they’re actresses; women aren’t authors, they’re authoresses, and while some of these feminine variants have more linguistic traction than others – we still say actress, but authoress sounds quaint and sexist – it’s noteworthy that there’s no commensurate tradition for making masculine variants of female forms. Nursing, for instance, is assumed to be a traditionally feminine career, but while we sometimes specify ‘male nurse’ as distinct from just ‘nurse’ – this being a rare professional default with a feminine implication – we’ve never gone so far as to make a whole new word for it.

Which is, I suspect, because there are so few historical instances of men moving into female spheres, rather than vice versa, until very, very recently. But now that it’s started to happen, what do we see? A discomfort with the idea of feminine terminology doubling as neutral. Rather than accepting that words like ‘romance’ and ‘eyeliner’ can be applied equally to men, we’re creating masculine variants whose express purpose is to prevent the traditionally feminine terms from becoming universal. Slowly, surely, we’ve been shedding those early feminine -ess words from the language, dropping them as we’ve come to see the lack of utility (and the surfeit of sexism) in unnecessarily distinguishing gender in such instances, thereby reverting to using the traditionally masculine forms as universal. But now that we have the opportunity to do the same with feminine forms, we’re baulking.

What’s most interesting about this, though, is that in both instances, it’s seemingly men creating and sustaining all the separate, unnecessarily gendered terms: first to deny women full membership of historically male professions and groups, and now to prevent themselves, however ineffectually, from being associated with traditionally feminine concepts.

Because language cooties.

… that is a fantastic goddamn analysis, Foz.

This is a classic example of what I call subtractive masculinity, in which “masculine” is not defined by anything men *do*, but only as “what women *don’t* do”.

So if males (who want to be considered masculine) get interested in *anything* women are known to like, they have to either a) change the thing to repulse women, or b) re-name it so as to claim that *their* thing is a completely different thing than that girly thing.

People brought up in this culture will do this automatically, but IMHO a large reason the culture is still clinging to fragile subtractive masculinity is that it is a *gold mine* for marketing. “Remind males that masculinity is fragile, offer to bolster their gender anxiety — lather rinse repeat, straight to the bank.”

Hey. You know who did like the Star Wars prequels?

Teenage girls.

I can tell you this because I was one of those teenage girls. For quite a long portion of my adolescence I lived, breathed and loved Star Wars, and it wasn’t always an easy experience. It was a very male-dominated fandom, probably still is, but we carved out spaces of our own. Websites dedicated to Padme’s costumes, for example, or to the Anakin/Padme relationship. (I have no doubt in my mind that there were many problematic things about that ship, but it absolutely seemed to appeal to young women.) At age sixteen I was privileged to be a part of the prequel-friendly (prequel-loving!) Saga Journal when it first started up, and you know what? That was mostly (if not all?) women. Likewise, the fanfiction section on theforce.net was mostly women, young women, teenage girls, sharing stories about young Obi-Wan and Qui-Gon and Padme and Anakin. The all-female Handmaiden group brought in with The Phantom Menace were hugely popular, too. Livejournal had a blossoming ‘pretty’ community centering around Star Wars (think what today’s graphic makers are doing on Tumblr, just…on Livejournal) – icons, banners, wallpapers of the prequel characters. This was almost all teenage girls, making their pretty space opera even prettier.

I can’t speak for everyone, but I wasn’t interested in Star Wars before the prequels came out. I was about 12 when they did, and I definitely remember saying to my dad as he handed me the tie-in sticker book, “But I don’t LIKE Star Wars. The girls don’t DO anything.” “Princess Leia does!” Dad said. “She definitely gets more heroic as the movies go on.”

As an adult I adore Leia, but as a kid she wasn’t enough to get me to watch the movies. And yet, I went with everyone else to see The Phantom Menace – how could I avoid it? It was everywhere! – and I definitely remember feeling like I’d been introduced to a whole new amazing world. I watched all the originals and loved them too. As more movies came out I loved the women more and more. Padme was younger than me and she was a queen. Naboo was a hugely female-centric society doing hugely well. The handmaidens were basically a girl gang with gorgeous costumes and guns. And there were female Jedi! Who had names! And lightsabres! And women were friends with each other and talked about politics!

Obviously that should be the bare minimum a female viewer should expect from a cinematic saga, but…well, it’s not something many movies achieve even now. So you can see, I hope, how it’d appeal to me and many others. And of course the attractive men – who appeared with their shirts off every now and again – were a factor too. Which still isn’t a reason to diminish teenage girl’s participation in fandom, believe it or not….

I’m not saying that the reason the Star Wars prequels are so disliked is because they appealed to teenage girls. But considering that “MALE COMEDIAN DISLIKES STAR WARS PREQUELS” is apparently news now, a view from the other side can’t hurt. I’d be really interested to hear of any other ex-teenage girl’s stories from Star Wars fandom around that time, actually. I remember feeling like a Fake Fan a lot, but I also remember the careful, brilliant analysis I saw another girl do of Revenge of the Sith’s colour palette, and the carefully maintained archives of Qui-Gon/Obi-Wan fanfiction, and the blogs dedicated to celebrating the sheer prettiness (the guys would call it ‘cinematography’) of the prequels.

I’d go as far to say, in all honesty, that teenage girls were the Prequel fandom. We did the fanfiction, the fanart, the graphics, the character analysis, the essays about what that one lighting effect in that one scene meant, the advice on how to sew that costume – the work, you could almost say, because we really loved those movies and the universe within them. That won’t get a single mention in the runup to The Force Awakens, but happen it did.