doctor who

say-no-to-superwholock:

Disappointing Drinking Game #1: take a shot every time Supernatural, Dr. who, or Sherlock follow the Bechdel test. You’ll be fucking sober even if watch every single episode.

 

I don’t know about Supernatural or Sherlock, but for the past couple years I’ve been analysing Doctor Who and the Bechdel test. Results – long, long results – are due to be posted here sometime after Series Eight ends, but what the hell, I’ll take this opportunity. Here are the recent episodes so far that pass, and why:

In The Forest Of The Night: Clara and Ruby discuss the red ring on the tree, which turns out to be important to the plot later.
Mummy on the Orient Express: Before the conversation turns to the Doctor, Clara and Maisie converse as they break into a room. Prior to that, Maisie and her grandmother talk. (Maisie’s grandmother does have a name, I’ve just forgotten it.)
Kill The Moon: This whole episode revolves around three women talking whilst trying to make a hard decision.
Time Heist: Miss Delphox and her clone whose name I can’t spell talk (it ends in essentially murder, so it’s a hard scene to miss).
Deep Breath: Madame Vastra and Jenny talk, a lot, once telepathically for some reason.
Day of the Doctor: Osgood and Kate Stewart exchange some words, as do Osgood and her Zygon duplicate.
Name of the Doctor:
Many words exchanged between Vastra, Jenny, River and Clara- the most significant scene between two women probably being the one where Jenny ‘dies’ apologising to her wife.
Nightmare In Silver: Clara and Alice Ferrin discuss how to stop the Cybermen.
The Crimson Horror: Constant conversations between Gillyflower, Ada, Jenny, Clara and Vastra

…and so on and so forth. (For more, right back to season one, see here.) Looking at that blog, I can see it’s more dedicated to shaming teenage girls and policing the way they express themselves far more than it’s dedicated to anything really to do with either Who, Supernatual or Sherlock, so I don’t know why I bothered-  all the same, I’ll have that drink now.

tillthenexttimedoctor:

dontstophernow:

tillthenexttimedoctor:

“Oh, yeah, absolutely, that is the big question.”

aka bad characterizationmaking your characters act like your favorite character is bad writing (via regulus-blakc)

Wait… what? They are paralleling and contrasting Clara and the Doctor and exploring what they are made of in-depth, mercilessly, and beautifully.

What we have seen is a complex character arc, in which Clara’s idea of heroism shifts closer to that of her best friend, into potentially dark territory, in a way which is questioned and examined critically at every turn, giving her an incredible amount of room to develop but still exploring sides of her characterisation we have seen since series 7. It’s been a fascinating, perfectly constructed, and unique journey… and yes, a well-written one.

Yeah, I don’t understand that comment at all. I’m usually the first (well, okay, not the first. Second or third maybe) to complain when the writing goes Horribly Wrong (series six is still a bit of a sore point) – but what’s going on with Clara is the opposite of bad characterization: it’s…well, you know that text post going round about negative character development? It’s basically that. She’s being utterly deconstructed – her love of ‘seeing wonders’ has blinded her to the smaller things on Earth; her viewing of how lies can be used has lead her to lie and lie and lie; her control freak nature has evolved to the point where she’s literally taking other people’s choices away (see: Kill The Moon, In The Forest Of The Night) – and so on.

Like, you have certainly quibble with the execution (I wish Ellie Oswald had been mentioned even once this series) but to say ‘oh, she’s acting like the Doctor’ with no mention of her agency and her (increasingly bad) choices – I think it’s doing her a terrible disservice.