Jack Kirby’s cover for Captain America No. 1 is arrestingly memorable, a colorful image of Cap punching Hitler in the face.
This scene is now an iconic moment in superhero comics, but at the time it was more controversial than you might think. In 1941 the U.S. had not yet entered WWII, and some readers actually sent hatemail to Captain America’s creators for depicting the superhero in such an overtly political light.
Last week, an interesting homage to this cover popped up online. Created by illustrator Matt Stefani, it shows teen superhero Kamala Khan (Ms. Marvel) punching Donald Trump.
Speaking to the Daily Dot, Stefani explained the background for this unusual crossover between political cartoons and comicbook fanart.
Someone one day is going to write a play where all the wronged ladies of Shakespeares plays get together for an angry musical like Chicago but in iambic pentameter
All I need is a shakespeare version of cell block tango
Here you go:
Methinks that yonder fop, yon ruffian, Doth heartily deserve this punishment. O, he alone, alone unlucky man, Should shoulder blame for this his long lament! If you, fair youth, had been where I have been, If you, fair youth, had seen what I have seen, I’ faith you’d not endure such hateful sin, But make no less a mess than this, my scene! This fate this man could not hope to escape, This fault in him not go unpunishéd– To crush a blooming flower out of shape, Until the sweet perfume and beauty fled. O, if this man met death before his time, Then certain it was murder, but no crime!
“I want to speak to a manager,” the middle-aged woman said in her stern I-used-to-be-a-soccer-mom-ten-years-ago voice, looking down at me over the top of her Gucci reading glasses.
A wicked grin split across my face and the gates of Hell opened up behind me, releasing a gust of hot wind that whipped my apron around my body and forced the woman to shield her face. Demons came forth, dancing around in flames with songs of, “She wants to speak to a manager. Did you hear that? She wants to speak to a manager!” before erupting into earsplitting shrieks of laughter, none louder than my own cackling.
I took in the woman’s look of utter horror before my eyes rolled back into my head and I growled,
A biography of Doctor Who’s first producer is to be published next January. Drama and Delight: The Life and Legacy of Verity Lambert is being written by Richard Marson and will be brought out by Miwk Publishing Ltd.
Not only was Lambert the show’s first producer, it was also her first TV programme as a producer, having been poached from commercial rival ABC by drama boss Sydney Newman. At the time, she was also the youngest and only female drama producer at the BBC.
Lambert went on to have a hugely successful and influential career in TV production, becoming a head of drama herself – at Thames Television – and later setting up her own production company. She received an OBE in the 2002 New Year Honours for services to film and television production, and that same year also saw her presented with BAFTA’s Alan Clarke Award for Outstanding Contribution to Television. She died of cancer in 2007 at the age of 71.