Winter Keep by Bram Sels
This is pretty. (o.o)
art

This 2015 installation of pink balloons in the courtyard of the Hôtel de Griffy in Montpellier, France, called Un dixième Printemps (The Tenth Spring), was designed to mimic the color and mood of Japanese cherry blossom trees as they slowly fell from the sky each day.
Artists: Margaux Rodot, Benoit Tastet, and Mickaël Martin
I get annoyed when people call the Anish Kappor vs. Stuart Semple thing a “petty art squabble.”
There are so many important technological applications for better light absorbing black paint besides just painting. NASA uses super light absorbing black to make better telescopes and more sensitive light sensors [source] [source]. Darker black paint can be used to make better cameras, film/video projectors, movie theaters, etc., etc. Black paint has a ton of applications beyond just being another pigment for eccentric rich painters to use.
By copyrighting the darkest black paint so that only he could use it, Anish Kapoor was denying the public access to new technology.
ETA: People in the tags have pointed out that “he only copyrighted it for art use, so it’s still available for industrial applications.”
Here’s the thing – “available for industrial applications” basically means “available to corporations.” It basically means that only the people with the right paperwork and the right legal status and the right amount of capital have access.
What about ordinary citizens? Teenagers with technical hobbies, or amateur inventors working out of their garages? They can’t afford to hire a team of lawyers just to get one jar of a perfectly safe new technology, and they shouldn’t have to.
When you say “it’s available for artistic use” what that means in legal terms is that any ordinary private citizen is allowed to use it for any purpose they want without having to jump legal hurdles.
Stuart Semple’s “petty squabble” is making a statement that 1) everyone should have the right access new technology, not just the eccentric rich and 2) any eccentric rich fuck who would try to deny the public their right to new technology is a sucking leech on society and deserves public ridicule.
everythingbutthekitchensphinx:
GUYS
holy sh*t
what. WHAT
Kapoor: *Being a jerk and not sharing*
Semple: “So I just got a degree in nanotechnology specifically for this and anyway everyone have some paint”
Semple: a God amongst Men
Ok NOW things are getting interesting.
I am guessing Semple has created a new black PIGMENT that is close to the effect of super black. Vantablack is not pigment, and cannot be used in paint. This actually changes the game.
Kapoor may have the rights to the real blackest black, but Semple may have made a super black artists can actually use.
i can’t believe a meme is going down in art history
#Why is art like this? #Because art is the way each generation of humanity distills itself to an essence for the future to behold #And our essence is a combination of exceptional and perhaps unbelievable technical skill #And just #Just absolute nuclear fires powered by spite #And I am so glad to be participating in this #Because this is I think #The first time I’ve ever actually understood art #So thank you to Anish Kapoor for being spiteful #And thank you to Stuart Semple for being brilliant in a fuck you kind of way #And thank you to everyone involved in this fiasco #Because I have never felt a more complete understanding of the necessity of art in my life #And I’m so fucking glad
(x)


